The Cottage on the FellsStacpoole, H. De Vere (Henry De Vere)
General
The Cottage on the Fells
Stacpoole, H. De Vere (Henry De Vere)
Detective and mystery stories; Fiction
“I wish,” said Freyberger, speaking in excellent French, “to make some
inquiries as to M. Gassard, photographer, of Boulevard St-Michel. I wish
to know if he is still in business, and, if not, where he is to be
found,—Freyberger, Inspector, Scotland Yard.”
The answer did not come for ten minutes.
Then the bell rang and the thin voice replied.
“Gassard, of 110 Boulevard St-Michel, sold his business three years ago.
March 10, 19—, he left Paris. We have no trace of him. He was succeeded
by Madame——, a modiste.”
“Luck is against us,” said Freyberger, hanging up the receiver. “Never
mind, we have the name, and a name is a good deal in a case like this.”
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CHAPTER XVIII
FREYBERGER was up betimes next morning, and having called at the Yard
and found his chief not yet arrived, and no further news concerning the
Gyde case, he betook himself to Old Compton Street, Soho.
In Old Compton Street you may buy a French newspaper or a German
sausage. You can get anything in an Italian way, from a pound of
macaroni to a knife in your back, if you know the right way to look for
it. It is a street of many nations and its kerb is trodden by all sorts
of celebrities, from the new tenor at the Italian opera in furs, to
Enrico Malatesta in rags.
A dingy looking Hebrew boy was just taking down the shutters of
Antonides’ dusty-looking shop, when Freyberger arrived a few minutes
after nine.
The boy asked him to be seated, whilst he apprised his master of the
presence of a customer.
“He ain’t down yet,” said the youth. “Never comes into the shop till
half after eleven. I’m lockin’ the shop door on you whilst I go up, for
Mr Antonides said no one was to be left alone in the shop, unless the
door was locked on them, for fear they’d be carryin’ off sumefin.”
He locked the door, went upstairs and presently returned, saying that Mr
Antonides would be down in a minute.
Freyberger sat looking about him at the various objects of art, the
cracked china, the dingy pictures, the dented armour.
The old Greek did not make much money out of these things; his fortune
was derived from the occasional great deal that his genius was able to
bring off. The Hermes, dredged up from the sea by fishermen off Cape
Matapan, and now in possession of Droch, the German manure-millionaire
of Chicago, passed through the hands of Antonides and left three
thousand pounds in his pocket. Half a dozen broken pieces of marble,
bought from a fellow Greek for a few pounds, and restored, had resulted
in an almost perfect bust of Clytie, worth—the value of the cheque it
brought him is unknown.
He was the prince of restorers, whether in marble or canvas.
As Freyberger sat looking around him, he suddenly became aware of a new
object in his purview, that was not an object of art.
Through the half-opened door leading from the shop to the house, a long,
lean, claw-like hand was beckoning to him.
Public-domain text, read in full here on John Shaqi.
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