The counterfeiters : $b (Les faux-monnayeurs)Gide, André
General
The counterfeiters : $b (Les faux-monnayeurs)
Gide, André
Counterfeiters -- Fiction; French fiction -- Translations into English
Olivier, who _had_ thought he would never blush again, blushed.
He could not but feel the irony of these words, notwithstanding the
cordiality of their tone. As for Bernard, he was still wearing the same
suit he had on the evening of his flight. He had not been expecting to
see Olivier. With his arm in his, he drew him along, questioning as
they went. He felt a sudden shock of joy at seeing him. If at first he
smiled a little at the refinement of his dress, it was with no malice;
his heart was good; he was without bitterness.
“You’ll lunch with me, won’t you? Yes; I have got to go back at one
thirty for Latin. This morning it was French.”
“Pleased?”
“_I_ am, yes; but I don’t know whether the examiners will be. We
had to discuss these lines from La Fontaine:
‘_Papillon du Parnasse, et semblable aux abeilles_
_A qui le bon Platon compare nos merveilles,_
_Je suis chose légère et vole à tout sujet,_
_Je vais de fleur en fleur et d’objet en objet._’
How would you have done it?”
Olivier could not resist a desire to shine:
“I should have said that La Fontaine, in painting himself, had painted
the portrait of the artist--of the man who consents to take merely
the outside of things, their surface, their bloom. Then I should have
contrasted with that the portrait of the scholar, the seeker, the man
who goes deep into things, and I should have shown that while the
scholar seeks, the artist finds; that the man who goes deep, gets
stuck, the man who gets stuck, gets sunk--up to his eyes and over them;
that the truth is the appearance of things, that their secret is their
form and that what is deepest in man is his skin.”
This last phrase Olivier had stolen from Passavant, who himself had
gathered it from the lips of Paul-Ambroise, as he was discoursing one
day in a lady’s drawing-room. Everything that was not printed was fish
for Passavant’s net; what he called “ideas in the air”--that is to
say--other people’s.
Something or other in Olivier’s tone showed Bernard that this phrase
was not his own. Olivier’s voice did not seem at home in it. Bernard
was on the point of asking: “Whose?” But besides not wishing to hurt
his friend, he was afraid of hearing Passavant’s name, which up till
now had not been pronounced. Bernard contented himself with giving his
friend a searching look; and Olivier, for the second time, blushed.
Public-domain text, read in full here on John Shaqi.
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