The counterfeiters : $b (Les faux-monnayeurs)Gide, André
General
The counterfeiters : $b (Les faux-monnayeurs)
Gide, André
Counterfeiters -- Fiction; French fiction -- Translations into English
“I am afraid, Monsieur le Comte, that you have misunderstood me. You
thought me a sceptic, and in reality I am an idealist, a mystic.
Scepticism has never been any good. One knows for that matter where it
leads--to tolerance! I consider sceptics people without imagination,
without ideals--fools.... And I am not ignorant of all the delicacies,
the sentimental subtleties which would be suppressed by the production
of this robust humanity; but no one would be there to regret the
delicacies, since the people capable of appreciating them would be
suppressed too. Don’t make any mistake--I am not without what is
called culture, and I know that certain among the Greeks had caught a
glimpse of my ideal; at any rate, I like imagining it, and remembering
that Coré, daughter of Ceres, went down to Hades full of pity for the
shades; but that after she had become queen, and Pluto’s wife, Homer
never calls her anything but ‘implacable Proserpine.’ See Odyssey,
Bk. VI. ‘_Implacable_’--that’s what every man who pretends to be
virtuous owes it to himself to be.”
“Glad to see you come back to literature--that is, if we may be said
ever to have left it. Well then, virtuous Strouvilhou, I want to know
whether you’ll consent to become the implacable editor of a review?”
“To tell the truth, my dear count, I must own that of all nauseating
human emanations, literature is one of those which disgust me most.
I can see nothing in it but compromise and flattery. And I go so far
as to doubt whether it can be anything else--at any rate until it has
made a clean sweep of the past. We live upon nothing but feelings which
have been taken for granted once for all and which the reader imagines
he experiences, because he believes everything he sees in print; the
author builds on this as he does on the conventions which he believes
to be the foundations of his art. These feelings ring as false as
counters, but they pass current. And as everyone knows that ‘bad money
drives out good,’ a man who should offer the public real coins would
seem to be defrauding us. In a world in which everyone cheats, it’s
the honest man who passes for a charlatan. I give you fair warning--if
I edit a review, it will be in order to prick bladders--in order to
demonetize fine feelings, and those promissory notes which go by the
name of _words_.”
“Upon my soul, I should very much like to know how you’ll set about it.”
“Let me alone and you’ll soon see.... I have often thought it over.”
“No one will understand what you’re after; no one will follow you.”
“Oh, come now! The cleverest young men of the present day are already
on their guard against poetical inflation. They perfectly recognize
a gas bag when they see one--even in the disguise of scientifically
elaborate metre, and trimmed up with all the hackneyed effusions of
high-sounding lyrical verse. One can always find hands for a work of
destruction. Shall we found a school with no other object but to pull
things down?... Would you be afraid?”
Public-domain text, read in full here on John Shaqi.
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