The Countess of Lowndes Square, and Other StoriesBenson, E. F. (Edward Frederic)
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The Countess of Lowndes Square, and Other Stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Short stories, English
“I ken fine what the hale clamjanfry of ye has been talkin’ about,” she
said, or words to that effect, and, without deigning to translate, this
tempestuous lady swept on her course. She stepped so high in her
indignation that the Duchess of Alatri, lying for coolness’ sake on the
pavement outside, thought that Mrs. Mackellar was dancing for her, and
rising to her feet, Her Grace trod a circular Saracenic measure. Hardly
pausing to swing a string-bag containing such comestibles as would be
easily rendered palatable without the aid of a cook, Mrs. Mackellar
turned to me again, and spoke in English in order that I might
understand.
“If I were you,” she said, “I should be ashamed to keep a dog that eats
as much as six Christians, I’ll be bound, be they Presbyterians or Roman
Catholics.”... Even as she spoke, who should come by but Seraphina
herself? Though she had been hounded out of the Casa Mackellar only
yesterday, with every circumstance of ignominy and Highland expressions,
Seraphina, sunny and incapable of rudeness, gave her late employer a
little smile, and a little obeisance, and said, “Buona sera, Signora!”
Without the smallest doubt, Mrs. Mackellar returned that smile.
Now in Alatri, I must have you know, we are all great psychologists and
students of character, and often talk about each other’s actions and the
gloomy traits of character exhibited therein, so that if you didn’t know
the seriousness of our aims, you might think we were gossips. But the
true character of Mrs. Mackellar, who she is inside herself, had always
puzzled everybody. No one could pull her together into any sort of
personage who would pass muster in the wildest work of fiction as being
conceivable. Why, for instance, did she who averted her chaste eye from
the naked foot of a fisher-boy herself wear a tight silk bathing dress
that reached not quite to her knees, and nowhere near her elbows? Was
it, as Mrs. Leonards said, to display the atrocity of her own figure
and thereby strengthen the rickety morality of the world in general?
That could hardly be the case, since on other occasions she laced
herself so tight, and wore such a killing hat, and so many Cairngorms
and garnets, that she could not be found guiltless of making a public
temptation of herself. Why, again, by what possible psychological
consistency, did she revel in a game of poker and reserve the hostility
of her finest colloquialisms for those who took tickets at a lottery?
Why, again--but there is no use in multiplying her contradictions, for
she entirely consists of them.
Public-domain text, read in full here on John Shaqi.
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