How strenuous in his nature was the heroic energy that gave the chivalric strain to his romance, was shown pre-eminently in the closing scenes of his life, when he roused his uncle {xvii} Leicester out of his sloth, and sacrificed himself on the field to a sense of knightly punctilio. It has been said of him that his whole life was “a true poem, a composition, and pattern of the best and honourablest things”; and not only in his shepherd Philisides, but in all the idealisms of courage, knightly faith and honour, and self-denying affection, that illumine the pages of his _Arcadia_, and in their splendid deeds of valour and endurance, he poured out the riches of his own nature, as the poet puts all that is best in himself into his verse. His purpose in writing the _Arcadia_, according to the testimony of his old schoolfellow at Shrewsbury, Fulke Greville, Lord Brooke, was moral and didactic; but “in all these creatures of his making his interest and scope was to turn the barren philosophic precepts into pregnant images of life,” that is, to energize them with poetry. The prose naturally begotten of such a poetical conception of the novel is well illustrated in the following passage, one of those most charged with humanity and most free from extravagance. “But the headpiece was no sooner off but that there fell about the shoulders of the overcome knight the treasure of fair golden hair, which, with the face, soon known by the badge of excellency, witnessed that it was Parthenia, the unfortunately virtuous wife of Argalus; her beauty then, even in despite of the past sorrow, or coming death, assuring all beholders that it was nothing short of perfection. For her exceeding fair eyes having with continual weeping gotten a little redness about them; her roundly, sweetly-smelling lips a little trembling, as though they kissed her neighbour death; in her cheeks, the whiteness striving, by little and little, to get upon the rosiness of them; her neck--a neck indeed of alabaster--displaying the wound which with most dainty blood laboured to crown his own beauties; so as here was a river of purest red, there an island of perfectest white, each giving lustre to the other, with the sweet countenance, God knows, full of an unaffected languishing; though these things, to a grossly conceiving sense, might seem disgraces, yet indeed were they but apparelling beauty in a new fashion, which all looking upon through the spectacles of pity, did even increase the lines of her natural fairness, so as Amphialus was astonished with grief, compassion, and shame, detesting his fortune that made him unfortunate in victory.”