The Court of the Empress JosephineImbert de Saint-Amand
History
The Court of the Empress Josephine
Imbert de Saint-Amand
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814
Then M. de Vaublanc ascended the tribune, and made a speech full of
extravagant praise; it ended thus: "You live, all of you, threatened by
the perils of the times; you live, and you owe your life to him whose
statue you behold. You return unfortunate exiles; you breathe once more
the delicious air of your own country; you embrace your fathers, your
children, your wives, your friends; all this you owe to him whose statue
you behold. There is no longer any question of his glory; I say nothing
about it; I invoke humanity on one side, gratitude on the other; I ask you
to whom you are indebted for this great, extraordinary, unexpected good
fortune. You all answer with me, It is to the great man whose statue you
behold." Throughout the whole speech, a perfect masterpiece of official
composition, adulation came in like a chorus. The President in his turn
uttered a similar eulogy: "Very few at the time," says Constant, who
describes this occasion, "found this praise extravagant; possibly their
opinions have changed since then."
After the speeches, dinner was served to three hundred guests, followed by
a magnificent ball. Though, in the middle of the winter, there was a great
show of shrubs and flowers. The Halls of Lucretia and of the Reunion, in
which there was dancing, were like one large bed of roses, laurels,
lilacs, jonquils, lilies, and jasmine.
Perhaps the finest of all the entertainments was that given to the Emperor
and Empress by the marshals of the Empire in the Opera House. It cost
each, marshal ten thousand francs. The Opera House at that time was in the
rue de Richelieu, where it had been since 1794. (It was the one torn down
during the Restoration, on account of the murder of the Duke of Berry, who
was killed on the threshold.) By means of a floor placed level with the
stage over the orchestra and the pit, there was made a magnificent ball-
room. Twenty-four chandeliers hung from the ceiling, and candelabra were
set on each side of every box. The decorations consisted of silver gauze,
and wreaths of flowers. The uniforms of the men and the dresses of the
women were almost equally magnificent. The eyes of the spectators were
dazzled by dresses trimmed with precious stones. Never had there been seen
such profusion of light, flowers, perfumes, and diamonds. In this magical
setting, fashionable beauties, with their dresses worked with silver and
gold foil, their turbans of Eastern stuffs, their jewels and ancient
cameos, appeared like sultanas. It was a most sumptuous and fairy-like
show.
Public-domain text, read in full here on John Shaqi.
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