That the reproductive glands have played, and still play, a by no means unimportant rôle in Evolution is shown by the history of the secondary sexual characters. Among the birds, at any rate, the early stages of physical changes belonging to this “figuration” are to be seen in various forms of posturing, which in their more elaborate developments we call “dances.” In many cases, as for example among the Warblers, the periods of sex-emotion are marked by posturing alone. But in a number of species, as has already been shown, the products of the sexual gland seem to have undergone some further elaboration which has resulted in the additional phenomena of gaudy coloration, in hypertrophied plumes, and in weapons of offence. But not yet is the list of such sexual products exhausted, for no mention has so far been made of the development of the many wonderful devices for the production of peculiar and arresting sounds, musical and otherwise. These are of two kinds: one wherein certain feathers have been modified to produce rhythmical notes either by percussion or by vibration; the other wherein the internal organs have been modified to produce musical notes or loud, resonant cries. Instances of the latter kind are innumerable, and as a consequence no more than one or two can be cited in these pages. The facts associated with the production of vocal, as distinct from instrumental, music are both curious and puzzling. To begin with, this music is produced by the lower end of the trachea or windpipe, which has become modified in various ways, though not so strictly in relation to the sounds produced as is commonly supposed. The anatomical details of these modifications cannot, or rather need not, be described now, save in the most general terms. Briefly the syrinx, or organ of voice, of birds, is formed in part by the lowermost rings which form the tubular windpipe, and in part by the smaller pair of tubes which, running therefrom to the lungs, form the bronchi. These last are formed of semi-rings only, the inner wall of the tube being formed by very delicate translucent membranes. As air is forced from the lungs along the bronchi and up the windpipe, the modulation of the voice is effected by muscles which regulate the amount of air driven through the syrinx, and the height of the column in the tube; the latter being effected by muscles which alternately lengthen and shorten it.