His publishers had clearer eyes. His Preface, for one matter, they insisted on transposing to the rear of the volume, where it now figures as the book’s tolerably famous Colophon—that curious exposition of Kennaston’s creed as artist. Then, for a title, _The Audit at Storisende_ was editorially adjudged abominable: people would not know how to pronounce Storisende, and in consequence would hold back from discussing the romance or even asking for it at bookdealers. _Men Who Loved Ettarre_ was Kennaston’s ensuing suggestion; but the Baxon-Muir Company showed no fixed confidence in their patrons’ ability to pronounce Ettarre, either. Would it not be possible, they inquired, to change the heroine’s name?—and Kennaston assented. Thus it was that in the end his book came to be called _Men Who Loved Alison_. But to Kennaston her name stayed always Ettarre.... The book was delivered to the world, which received the gift without excitement. The book was delivered to reviewers, who found in it a well-intentioned echo of Mr. Maurice Hewlett’s earlier mediæval tales. And there for a month or some six weeks, the matter rested. Then one propitious morning an indignant gentlewoman in Brooklyn wrote to _The New York Sphere_ a letter which was duly printed in that journal’s widely circulated Sunday supplement, _The Literary Masterpieces of This Week_, to denounce the loathsome and depraved indecency of the nineteenth and twentieth chapters, in which—while treating of Sir Guiron’s imprisonment in the Sacred Grove of Caer Idryn, and the worship accorded there to the sigil of Scoteia—Kennaston had touched upon some of the perverse refinements of antique sexual relations. The following week brought forth a full page of letters. Two of these, as Kennaston afterward learned, were contributed by the “publicity man” of the Baxon-Muir Company, and all arraigned obscenities which Kennaston could neither remember or on re-reading his book discover. Later in this journal, as in other newspapers, appeared still more denunciations. An up-to-the-minute bishop expostulated from the pulpit against the story’s vicious tendencies, demanding that it be suppressed. Thereafter it was no longer on sale in the large department-stores alone, but was equally procurable at all the bookstands in hotels and railway stations. Even the author’s acquaintances began to read it. And the Delaunays (then at the height of their vogue as exponents of the “new” dances) introduced “the Alison amble”; and from Tampa to Seattle, in certain syndicated cartoons of generally appealing idiocy, newspaper readers were privileged to see one hero of the series knock the other heels over head with a copy of Kennaston’s romance. And women wore the “Alison aigrette” for a whole season; and a new brand of cheap tobacco christened in her honor had presently made her name at least familiar in saloons. _Men Who Loved Alison_ became, in fine, the novel of the hour. It was one of those rare