The Cream of the Jest: A comedy of evasions — John Shaqi
The Cream of the Jest: A comedy of evasionsCabell, James Branch
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The Cream of the Jest: A comedy of evasions
Cabell, James Branch
Allegories; Authors -- Fiction; Dreams -- Fiction; Fantasy fiction
miracles such as sometimes palm off a well-written book upon the vast
public that reads for pastime.
And shortly afterward Mr. Booth Tarkington published another of his
delightful romances: one forgets at this distance of time just which it
was: but, like all the others, it was exquisitely done, and sold neck
and neck with _Men Who Loved Alison_; so that for a while it looked
almost as if the American reading public was coming to condone adroit
and careful composition.
But presently the advertising columns of magazines and newspapers were
heralding the year’s vernal output of enduring masterworks in the field
of fiction: and readers were again assured that the great American novel
had just been published at last, by any number of persons: and so, the
autumnal predecessors of these new _chefs d’œuvre_ passed swiftly into
oblivion, via the brief respite of a “popular” edition. And naturally,
Kennaston’s romance was forgotten, by all save a few pensive people.
Some of them had found in this volume food for curious speculation.
That, however, is a matter to be taken up later.
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VI
Suggesting Themes of Universal Appeal
SO Felix Kennaston saw his dream vulgarized, made a low byword; and he
contemplated this travestying, as the cream of a sardonic jest, with
urbanity. Indeed, that hour of notoriety seemed not without its pleasant
features to Felix Kennaston, who had all a poet’s ordinary appetite for
flattery. Besides, it was droll to read the “literary notes” which the
Baxon-Muir people were industriously disseminating, by means of the
daily journals, concerning Felix Kennaston’s personality, ancestry,
accomplishments, recreations and preferences in diet. And then, in
common with the old woman famed in nursery rhyme, he was very often wont
to observe, “But, lawk a mercy on me! this is none of I!”
It was droll, too, to be asked for autographs, lectures, and for
donations of “your wonderful novel.” It was droll to receive letters
from remote mysterious persons, who had read his book, and had liked it,
or else had disliked it to the point of being goaded into epistolary
remonstrance, sarcasm, abuse, and (as a rule) erratic spelling. It
troubled Kennaston that only riffraff seemed to have read his book, so
far as he could judge from these unsolicited communications; and that
such people of culture and education as might have been thrilled by
it—all people whose opinions he might conceivably value—seemed never to
write to authors....
Public-domain text, read in full here on John Shaqi.
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