The Creator, and what we may know of the method of creation — John Shaqi
The Creator, and what we may know of the method of creationDallinger, W. H. (William Henry)
Religion
The Creator, and what we may know of the method of creation
Dallinger, W. H. (William Henry)
Creation; Evolution; God; Religion and science
To argue, that because we can by analysis and research, discover and
demonstrate the physical conditions or antecedents, that, apparently
automatically, bring about a manifest contrivance, therefore, we have
excluded the possibility of any universal primal design, is a mode of
reasoning, the fallacy of which, surely, needs no great logical acumen
to lay bare.
Because we discover the molecular shapes and movements that determine
the structure of a beautiful crystal, it would be surely illogical
and unwarranted to say that there was no design, no arrangement in
the primary order of things, out of which these very conditions
arose. It is conceivable that there may be infinitely more mind in
the origination of that which automatically gives rise to a manifest
‘contrivance,’ than in directly originating it.
An ordinary watch is, as a rule, a good timekeeper, under a fixed,
say a temperate meridian; but take it to the arctic circle, and it
goes too fast; or to the torrid zone, and it goes too slow. But in a
chronometer, delicate compensations are made, of a beautiful kind, so
contrived as to counteract the thermal changes. Would it be logical to
think of the more complex contrivance as devoid of design because it is
self-acting?
I grant that there may not be absolute parity of reasoning in the human
as compared with the natural instance; but I only desire the reasoning
to apply to one essential point. If primarily the methods of nature,
which by their rhythmic action automatically produce contrivances,
living or otherwise, took their origin in mind, the contrivances so
produced were so designed to be produced; and this is contrivance of
an infinitely higher order than the self-compensating balance of the
chronometer. It is contrivances brought about by arrangements that are
infinitely complex, transcending all thought; and which include in
their vast sweep, all time, all space, all matter, all motion, and all
their relations, from the most inconceivably minute phenomenon to the
most stupendous that ever has happened, or can happen, as a product of
nature.
We may easily reduce this to a practical form by illustration. The
arm or fore-limb of all mammals is constructed essentially on the
same type. The forearm of the horse is most highly specialized. In
the forearm there is, as in the human skeleton, the _radius_ and the
_ulna_. But the ulna has lost its function, and is fused with the
radius. What we call the knee in the horse’s fore-limb is really the
wrist. There are eight bones in the human wrist. The horse has only
seven. Now, immediately succeeding the wrist bones in the human hand,
are the five bones that form the palm; and these are followed by the
five digits or fingers.
Public-domain text, read in full here on John Shaqi.
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