The cremation of the dead: considered from an aesthetic, sanitary, religious, historical, medico-legal, and economical standpointErichsen, Hugo
Religion
The cremation of the dead: considered from an aesthetic, sanitary, religious, historical, medico-legal, and economical standpoint
Erichsen, Hugo
Cremation
The Rev. H. R. Haweis states: “Where are the thousands who were laid in
the heart of Paris, and who slept for centuries in the graveyards of the
Innocents, St. Eustache, St. Etienne de Prés? Every tourist who takes a
return ticket to Paris may gaze upon their bones, speculate upon their
skulls, and finger their dust. By order of the minister of police they
were all dug up in 1787 and carted off to the catacombs. The bones were
cleaned and arranged in grim and picturesque symmetry. In one gallery
are the arms, legs, and thighs intersected by rows of skulls; the small
bones are thrown in heaps behind them. Whose dust is separate there?
whose ashes are sacred? And yet they were borne to this grotesque
sepulchre with priests and tapers.”
As regards disrespect and insult to the dead, a correspondent of the
_Medical Times and Gazette_, writing from Bordeaux, says:—
“The earth around one of the oldest churches in Bordeaux seems to have
something peculiarly antiseptic in its nature, so that the bodies buried
during ages were converted into mummies. During some alterations at the
beginning of this century these bodies were laid bare, and instead of
being decently buried again, they were taken out of their resting-place
and ranged upright in a row around a crypt under the bell-tower of St.
Michael. Here they constitute a disgusting and demoralizing show, which
is visited by crowds of people, and I am afraid that the clergy of the
church are not ashamed to pocket the profits. A rough fellow, a candle
on the end of a stick, such as they have in wine-cellars, goes round as
showman. He taps and thumps the bodies to show that they are perfectly
sound, tough like leather trunks, and not the least brittle. ‘See here,
gentlemen, is a very tall man; see how powerful his muscles must have
been, and what excellent calves he has now! The next is the body of a
young woman. Remark the excellent preservation of her chemise, though it
was buried 400 years ago; and see, it is trimmed with lace. The next,
gentlemen, is a priest; you can see his soutane with the buttons on it.
There is a woman with a dreadful chasm in her breast; she had a cancer.
The next four are a family poisoned with mushrooms; observe the
contortions of their faces from the coliques they suffered. See, next, a
very old man with his wig still awry upon his pate. The next is a poor
misérable that was buried alive. See how his head is turned to one side
and the body half turned round, in the frantic effort to get out of the
coffin, with his mouth open and gasping.’ (It is quite true that the
attitude is singular, but it does not warrant the inference which the
showman draws.) But enough of this disgusting mercenary exhibition of
the human body in its lowest state of humiliation. If the guardians of
consecrated sepulchres, in which people have paid an honest fee to be
buried, are to dig them up and cart them off as in England, or make a
Public-domain text, read in full here on John Shaqi.
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