As I sat there thinking, something struck me a severe blow in the face.
It was a piece of glass from the broken window which had been loosened,
and which had been forced out of its place by the pressure of the wind.
I lowered the window, lest the remaining fragments should also be
driven from their places. The sharp edge of the piece of glass had come
into contact with my cheek. It had cut me to the bone. I put up my
handkerchief to stop the bleeding. As I did so I noticed that my
overcoat seemed to have been torn open in the struggle; the top button
appeared to be missing.
The blood flowed freely from the open wound. The piece of glass seemed
to have cut me like a knife. My handkerchief was quite inadequate to
stop the flow. It was becoming soaked with blood. While I was wondering
what I should do if the bleeding did not shortly cease, the train drew
up at Victoria.
The distance between Brighton and town had never before seemed to me to
be so short.
CHAPTER II.
THE MAN WITH THE SILK HANDKERCHIEF.
Now that I had reached Victoria I did not know what to do. I continued
to sit in a sort of bewilderment, wondering. Should I speak to the
guard, or should I not? Should I walk out of the station as if nothing
had happened? I was, or it seemed to me that I was, between the devil
and the deep sea. Whichever path I took was the path, not of safety but
of danger.
While I sat hesitating and apparently incapable of anything but
hesitation, the carriage door was opened. I supposed that, seeing me, a
porter had opened it for me to alight. But it was not a porter who
stood there looking in--looking in, as it struck me, with eager
curiosity. It was an individual in a top hat and an overcoat ornamented
with fur cuffs and collar. Even in my state of confusion, and in that
imperfect light, I was at once struck by the fact that both hat and
overcoat were the worse for wear. The face under the hat was also the
worse for wear. The cheeks were ruddy, with a ruddiness which suggested
alcohol. The moustache and whiskers were too black for nature. The
eyes, which were at once both impudent and shifty, in colour almost
matched the whiskers. There was something about the man which reminded
me of some one I had seen before. Who it was, at the moment, I could
not think.
He addressed me with what he probably intended for an ingratiating
smile, "This is Victoria." I told him I was aware of it. "All get out
here." I added that I was also aware of that.
His eyes, which had been travelling round and round the carriage in an
eager, searching fashion, which, for some reason, made me curiously
uneasy, finally rested on my face. He at once noticed the blood-stained
handkerchief which I still was holding to my cheek.
"Nose bleeding?"
"No; I've cut my cheek."
I don't know why I sat there speaking to the man as I did.
"Permit me to offer you my handkerchief; yours seems soaked with
blood."
Public-domain text, read in full here on John Shaqi.
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