The Cross and the Shamrock: Or, How To Defend The Faith. An Irish-American Catholic Tale Of Real Life, Descriptive Of The Temptations, Sufferings, Trials, And Triumphs Of The Children Of St. Patrick In The Great Republic Of Washington. A Book For The Entertainment And Special Instructions Of The Catholic Male And Female Servants Of The United States.Quigley, Hugh
Religion
The Cross and the Shamrock: Or, How To Defend The Faith. An Irish-American Catholic Tale Of Real Life, Descriptive Of The Temptations, Sufferings, Trials, And Triumphs Of The Children Of St. Patrick In The Great Republic Of Washington. A Book For The Entertainment And Special Instructions Of The Catholic Male And Female Servants Of The United States.
Quigley, Hugh
Catholics -- United States -- Fiction; Irish Americans -- Fiction
Here it is as well to state that Calvin Prying, of late years, lost all
that zeal for stiff Presbyterianism that possessed him in his younger
days,--an ordinary occurrence with American Protestant young men,--and
that, instead of his former zeal, he now had the utmost indifference, if
not contempt, for the teachers of the hard creed of his cruel namesake
of Geneva. He had a heart, too; and though a phlegmatic and a rude one,
it could not remain insensible to the chaste charms and virtuous beauty
of Bridget O'Clery. For years this feeling was growing on him--the
exhortations, and lectures, and advices of little Parson Gulmore to the
contrary notwithstanding. In a word, though she was "Irish" and a
pauper, in the slang of parsons and officials, and though the vulgar
little dominie was continually ridiculing the Irish and the Catholics,
Calvin saw that Bridget was beautiful in countenance, and light as a
humming bird in heart--circumstances which insensibly made an impression
on the rude material of which his own was made, creating there a feeling
of love bordering on admiration and distant esteem. No sooner, however,
did it reach his ears that the money was restored to the orphans, and he
was told that Bridget was likely to have a portion of some thousands of
dollars, than his former esteem and admiration, as if by magic art, was
turned into love. And now, who dare say word against her? and how low,
contemptible, and wicked the counsels of Parson Gulmore, who attempted
to prejudice him against such a treasure, such a model of every virtue,
such an angel, as she "always appeared to him to be"! He would have
cheerfully "accepted the hand" of the poor "Irish" orphan when that hand
had some thousands of gold dollars in its beauteous grasp. The Yankee is
not remarkable for having an eye for the beautiful in nature or art; but
when _dimes_ and _dollars_ are in prospective, none is more penetrating
or sharpsighted than he. Beautiful paintings, cathedrals, the noblest
creations of the chisel, the most enchanting landscapes have just as
much attraction for his genius as they can be made available "for making
money," and no more. It was from the same principle that Calvin Prying's
love for Bridget O'Clery originated. Hence he was highly enraged at the
idea of her going into a convent, and had a strong notion in his head to
call a "public mass meeting," and pass resolutions against the
constitutionality of allowing young ladies of respectable fortunes to
enter convents. Indeed, he so far succeeded in creating an excitement in
his favor about deterring Bridget from entering the convent, as to get,
by the payment of a small sum, one of the daily papers of the city to
write an article in his favor, entitled "_Abduction_!" During a few
days, the editor of the same filthy sheet repeated his scurrilous
attacks on Catholicity, not forgetting to squirt a good deal of his dirt
on the Rev. Dr. Ugo, whom he blamed for encouraging the girl's
Public-domain text, read in full here on John Shaqi.
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