The Cross in Ritual, Architecture and Art — John Shaqi
The Cross in Ritual, Architecture and ArtTyack, Geo. S. (George Smith)
History
The Cross in Ritual, Architecture and Art
Tyack, Geo. S. (George Smith)
Crosses
From this time Christianity was not only tolerated, but placed under
imperial protection; crucifixion, moreover, ceased to be employed as a
form of punishment, and the Cross began to be treated with honour. A cross
of gold, adorned with precious stones, was placed, by Constantine's
orders, in the chief hall of the palace; and the imperial coinage is found
to bear, with increasing frequency, the holy sign. Sometimes, as in a coin
of Constantius II., the Emperor is depicted holding the labarum in his
hand, or, as on those of Jovianus, he carries a globe surmounted by a
cross; while later emperors stamped their coinage with the cross itself,
often surrounded by a laurel crown.
The fear of insult to sacred places and religious emblems being thus
removed, the Christians began to build themselves churches more worthy of
their holy rites than the rooms or the catacombs with which they had
formerly been compelled to be content, and in the decoration of these the
cross began to take its appropriate place. A couple of centuries later, in
the reign of Justinian (527-565), it was even ordered that every church
should have a cross surmounting it.
Closely connected with the conversion of Constantine is the alleged
discovery of the true Cross by S. Helena.
It was in the year 325, the year of the first General Council of the
Church, which met at Nicaea to condemn the heresy of Arius, that the
Empress, endowed with ample means and with the fullest authority, went to
Jerusalem and began the search for the instrument of our redemption. The
site of the Crucifixion having been preserved in tradition, excavations
were made on the spot, which first disclosed the Holy Sepulchre, over
which, both to conceal and to desecrate the spot, a temple had been
erected to Venus; and afterwards was brought to light, in a pit hard by,
those venerable pieces of wood which Christendom hailed as "the very
Cross," to one of which was still affixed a board with an inscription in
Hebrew, Greek, and Latin.
Public-domain text, read in full here on John Shaqi.
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