The Cross in Ritual, Architecture and ArtTyack, Geo. S. (George Smith)
History
The Cross in Ritual, Architecture and Art
Tyack, Geo. S. (George Smith)
Crosses
To determine the exact value of the story thus briefly summarized, is not
so easy a matter as many have assumed it to be. On the one hand, no one
questions the sincerity of Helena herself, nor the fact that she actually
did find the wood in the excavations which she had made. S. Cyril of
Jerusalem, writing from that spot no more than twenty years later, refers
to the event, and most of the fathers and chroniclers of the Church who
follow him notice it, both he and they evidently accepting as facts the
claims made on behalf of the wood. Moreover, it is not without its bearing
on the matter that the date of the discovery coincides with a great crisis
in the Arian controversy, when the eagerness of the heretics to attack and
discredit the Catholics in any and every way would present a special
difficulty to any attempt to pass off a fraud upon Christendom. And,
finally, it is not easy to see who could plan and carry out so vast a
deception in the face of all the persons of authority both in Church and
State, who were then in Jerusalem; nor the object which the deception
would be intended to attain. The great argument on the other side, and one
difficult to overcome, and impossible to ignore, is the silence of
Eusebius on the subject; yet he was present in Jerusalem at the actual
time of the discovery, or very shortly afterwards, and in his life of
Constantine he records others of the works undertaken in the Holy City by
that Emperor through his mother, such as the erection of the church of the
Holy Sepulchre. It is impossible but that Eusebius knew of the assertion
with which Jerusalem and the world rang, that the wood discovered was the
true Cross, yet he makes no allusion to it.
Whatever conclusion we moderns may come to on the matter, it is beyond
question that all Christendom at that time accepted the story as true, and
greeted the sacred wood with unbounded enthusiasm; and the devotion thus
excited cannot fail to have had a marked influence on the use of the
figure of the Cross.
A new chapter in the development of this use is begun at the Crusades, and
to these the subsequent history of this world-famed wood naturally leads
us.
The greater portion of "the true Cross" was kept at Jerusalem, in the
church reared by Constantine, and dedicated with great solemnity in 335.
It was in time richly adorned with gold and jewels, and was exposed for
the veneration of the faithful every Easter Sunday. Nearly three centuries
later, in 614, Chosroes, King of Persia, after victorious campaigns in
Asia Minor and in Egypt, descended on the Holy Land with a tumultuous host
of barbarians. The City of Jerusalem was taken and sacked, after ninety
thousand Christians had fallen fighting in its defence; and the Cross was
carried off in triumph by the heathen conqueror.
Public-domain text, read in full here on John Shaqi.
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