Once more, we may compare every life to "a tale that is told," because it has a moral. Any story, good or bad,--the most pernicious work of fiction, the most flimsy narrative, as the grandest history,--has its significance. So it is with the life of a man. As all his conduct he is building up the intrinsic results of character for himself,--establishing in his own soul a fabric of welfare or of wo,--so is he furnishing a lesson for others, and accomplishing an end by which they are affected. The purpose for which any one has lived, the point which he has attained, the personal history which he has unfolded, constitute the moral of his life. For instance, here is a man whose life is frivolous,--divided between aimless cares and superficial enjoyments. He has no resources in himself, no fountain of inward peace and joy. His spirit leaps like new wine in the whirl of exciting pleasure, but in the hour of solitude and of golden opportunity, it is "flat, stale, and unprofitable." He marks off the year by its festivals, and distributes the day into hours of food, rest, and folly. In short, he holds no serious conception of life, and he is untouched by lofty sentiment. The great drama of existence, with its solemn shifts of scenery and its impending grandeur, is but a pantomime to him; and he a thoughtless epicurean, a grinning courtier, a scented fop, a dancing puppet, on the mighty stage. And surely, such a life, a life of superficiality and heartlessness, a life of silken niceties and conventional masquerade, a life of sparkling effervescence, has a moral. It shows us how vain is human existence when empty of serious thought, of moral purpose, and of devout emotion.