The Crown of Wild Olive: also Munera Pulveris; Pre-Raphaelitism; Aratra Pentelici; The Ethics of the Dust; Fiction, Fair and Foul; The Elements of DrawingRuskin, John
Philosophy
The Crown of Wild Olive: also Munera Pulveris; Pre-Raphaelitism; Aratra Pentelici; The Ethics of the Dust; Fiction, Fair and Foul; The Elements of Drawing
Ruskin, John
Architecture; Conduct of life; Drawing -- Study and teaching; Economics; English literature -- History and criticism; War; Work
I have been long accustomed, as all men engaged in work of investigation
must be, to hear my statements laughed at for years, before they are
examined or believed; and I am generally content to wait the public's
time. But it has not been without displeased surprise that I have found
myself totally unable, as yet, by any repetition, or illustration, to
force this plain thought into my readers' heads,--that the wealth of
nations, as of men, consists in substance, not in ciphers; and that the
real good of all work, and of all commerce, depends on the final worth
of the thing you make, or get by it. This is a practical enough
statement, one would think: but the English public has been so possessed
by its modern school of economists with the notion that Business is
always good, whether it be busy in mischief or in benefit; and that
buying and selling are always salutary, whatever the intrinsic worth of
what you buy or sell,--that it seems impossible to gain so much as a
patient hearing for any inquiry respecting the substantial result of our
eager modern labours. I have never felt more checked by the sense of
this impossibility than in arranging the heads of the following three
lectures, which, though delivered at considerable intervals of time, and
in different places, were not prepared without reference to each other.
Their connection would, however, have been made far more distinct, if I
had not been prevented, by what I feel to be another great difficulty in
addressing English audiences, from enforcing, with any decision, the
common, and to me the most important, part of their subjects. I chiefly
desired (as I have just said) to question my hearers--operatives,
merchants, and soldiers, as to the ultimate meaning of the _business_
they had in hand; and to know from them what they expected or intended
their manufacture to come to, their selling to come to, and their
killing to come to. That appeared the first point needing determination
before I could speak to them with any real utility or effect. 'You
craftsmen--salesmen--swordsmen,--do but tell me clearly what you want,
then, if I can say anything to help you, I will; and if not, I will
account to you as I best may for my inability.' But in order to put this
question into any terms, one had first of all to face the difficulty
just spoken of--to me for the present insuperable,--the difficulty of
knowing whether to address one's audience as believing, or not
believing, in any other world than this. For if you address any average
modern English company as believing in an Eternal life, and endeavour to
draw any conclusions, from this assumed belief, as to their present
business, they will forthwith tell you that what you say is very
beautiful, but it is not practical. If, on the contrary, you frankly
address them as unbelievers in Eternal life, and try to draw any
consequences from that unbelief,--they immediately hold you for an
accursed person, and shake off the dust from their feet at you.
Public-domain text, read in full here on John Shaqi.
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