The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
Into the booth they turned; and as soon as Lancelot's eyes
were accustomed to the reeking atmosphere, he saw seated at
two long temporary tables of board, fifty or sixty of "My
brethren," as clergymen call them in their sermons, wrangling,
stupid, beery, with sodden eyes and drooping lips--interspersed
with more girls and brazen-faced women, with dirty flowers in
their caps, whose sole business seemed to be to cast jealous
looks at each other, and defend themselves from the coarse
overtures of their swains.
Lancelot had been already perfectly astonished at the foulness
of language which prevailed; and the utter absence of anything
like chivalrous respect, almost of common decency, towards
women. But lo! the language of the elder women was quite as
disgusting as that of the men, if not worse. He whispered a
remark on the point to Tregarva, who shook his head.
"It's the field-work, sir--the field-work, that does it all.
They get accustomed there from their childhood to hear words
whose very meanings they shouldn't know; and the elder teach
the younger ones, and the married ones are worst of all. It
wears them out in body, sir, that field-work, and makes them
brutes in soul and in manners...."
Sadder and sadder, Lancelot tried to listen to the conversation
of the men round him. To his astonishment he hardly understood
a word of it. It was half articulate, nasal, guttural, made up
almost entirely of vowels, like the speech of savages. He had
never before been struck with the significant contrast between
the sharp, clearly defined articulation, the vivid and varied
tones of the gentleman, or even of the London street-boy, when
compared with the coarse, half-formed growls, as of a company
of seals, which he heard round him. That single fact struck
him, perhaps, more deeply than any; it connected itself with
many of his physiological fancies; it was the parent of many
thoughts and plans of his after-life. Here and there he could
distinguish a half sentence. An old shrunken man opposite him
was drawing figures in the spilt beer with his pipe-stem, and
discoursing of the glorious times before the great war, "when
there was more food than there were mouths, and more work than
there were hands." "Poor human nature!" thought Lancelot, as he
tried to follow one of those unintelligible discussions about
the relative prices of the loaf and the bushel of flour, which
ended, as usual, in more swearing, and more quarrelling, and
more beer to make it up--"Poor human nature! always looking
back, as the German sage says, to some fancied golden age,
never looking forward to the real one which is coming!"
"But I say, vather," drawled out some one, "they say there's
a sight more money in England now, than there was afore the
war-time."
"Eees, booy," said the old man; "_but it's got into too few
hands_."
Public-domain text, read in full here on John Shaqi.
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