The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
(French dramatist, born 1858; author of a series of powerful dramas
exposing the sources of corruption in French social, political and
business life. The present play has for its theme the law as a snare
for the feet of the poor and friendless. The principal character is a
government prosecuting attorney, driven by professional ambition and
jealousy, and the nagging of his wife and daughters. A murder has been
committed, and the newspapers are scolding because the criminal has
not been caught. Suspicion falls upon a poor wretch of a smuggler, who
is hounded and bullied into incriminating himself. At the last moment,
when the case is in the hands of the jury, the prosecuting attorney's
conscience is troubled, and he realizes that he is sending an innocent
man to the gallows)
MME. VAGRET:--But--these circumstances, how could you have
ignored them up to now?
VAGRET (_his head bowed_):--You think I have ignored
them?--Would I dare to tell you all? I am not a bad man, you'd
grant? I wouldn't desire that anyone should suffer through
my fault. Well!--Oh! but how it shames me to confess it, to
say it aloud, after having confessed it to myself! Well! When
I studied this case, I had got it so fixed in my head, in
advance, that this fellow Etchepare was a criminal, that when
an argument in his favor presented itself to my mind, I kept
it away from me, shrugging my shoulders. As to the facts about
which I am telling you, and from which suddenly my doubt has
been born--at first I sought only to prove to myself that these
facts were false, taking, in the testimony of the witnesses,
only what would combat their exactness, repelling all the rest,
with a frightful _naiveté_ in my bad faith.--And in the end, to
dissipate my last scruples, I said to myself, like you: "It is
the affair of the defense, not mine!" Listen and see to just
what point the exercise of the profession of prosecutor renders
us unjust and cruel; I had, myself--I had a thrill of joy at
first, when I saw that the judge, in his questioning, left in
the shadow the sum of those little facts. There, that is the
trade! you understand, the trade! Ah! poor creatures that we
are, poor creatures!
MME. VAGRET:--Possibly the jury may not condemn him?
VAGRET:--It will condemn him.
MME. VAGRET:--Or that it will admit some extenuating
circumstances.
VAGRET:--No. I urged them too emphatically against this. Was I
not ardent enough, my God! violent enough?
MME. VAGRET:--That's true. Why should you have developed your
argument with so much passion?
Public-domain text, read in full here on John Shaqi.
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