This plain declaration of sentiment subdued Mildmay, and brought him
back to matters of fact. "I suppose you are right; but I have not made
up my mind to decline the living," he said coldly, and did not ask
Ruffhead to dinner as he had at first intended. No man, they say, likes
his heir, and this kind of inheritance was doubly disagreeable to think
of. Certainly, if the only alternative was Ruffhead and his honeymooning
(which somehow it disgusted Mildmay to think of, as of something almost
insulting to himself), it would be better, much better, that he himself
should take Brentburn. He would not give it up only to see it passed on
to this commonplace fellow, to enable him, forsooth, to marry some still
more commonplace woman. Good heavens! was that the way to traffic with a
cure of souls? He went back to his beautiful rooms in a most disturbed
state of mind, and drew up impatiently the blinds which were not
intended to be drawn up. The hot August light came in scorching and
broad over all his delights, and made him loathe them; he tripped upon,
and kicked away to the end of the room, a rug for which you or I, dear
reader, would have given one of our ears; and jerked his Italian
tapestry to one side, and I think, if good sense had not restrained him,
would have liked to take up his very best bit of china and smash it into
a hundred pieces. But after a while he smiled at himself, and reduced
the blaze of daylight to a proper artistic tone, and tried to eat some
luncheon. Yesterday at the same hour he had shared the curate's dinner,
with Cicely at the head of the table, looking at him with sweet eyes, in
which there was still the dewy look of past tears. She had the house and
all its cares upon her delicate shoulders, that girl; and her innocent
name had been made the subject of a jest--through him!
CHAPTER XV.
THE ARTIST AND THE HOUSEKEEPER.
Public-domain text, read in full here on John Shaqi.
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