his little stock of landscapes to be copied, Mab, quite untutored in
this kind, was utterly at a loss. She neither knew how to manage her
colours, nor how to follow the vague lines of the "copy," and I cannot
describe the humiliation of the sisters, nor the half disappointment,
half triumph, of Miss Blandy.
"My dear, you must not be discouraged; I am sure you did as well as you
could; and the fact is, we have a very high standard here," the
school-mistress said.
It happened, however, after two or three of these failures that Cicely,
sent by Miss Millicent Blandy on a special message into that retired
and solemn chamber, where Miss Blandy the elder sister sat in the
mornings supervising and correcting everything, from the exercises to
the characters of her pupils, found the head of the establishment with
the drawing-master looking over the productions of the week. He had
Mab's drawing in his hand, and he was shaking his head over it.
"I don't know what to say about the youngest Miss St. John. This figure
is well put in, but her sky and her distance are terrible," he was
saying. "I don't think I shall make anything of her."
When Cicely heard this she forgot that she was a girl at school. She
threw down a pile of books she was carrying, and flew out of the room
without a word, making a great noise with the door. What she ought to
have done was to have made a curtsy, put down the books softly by Miss
Blandy's elbow, curtsied again, and left the room noiselessly, in all
respects save that of walking backward as she would have done at Court.
Need I describe the look of dismay that came into Miss Blandy's face?
"These girls will be my death," she said. "Were there ever such
colts?--worse than boys." This was the most dreadful condemnation Miss
Blandy ever uttered. "If their aunt does not insist upon drawing, as she
has so little real talent, she had better give it up."
Public-domain text, read in full here on John Shaqi.
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