In the ages immediately subsequent to the Crusades, heraldric ensigns
began to be generally applied as architectural decorations. The shields
upon which they were first represented were in the form of an isosceles
triangle, slightly curved on its two equal sides; but soon afterwards they
began to assume that of the gothic arch reversed, a shape probably adopted
with a view to such decoration, as harmonising better with the great
characteristics of the pointed style. Painted glass, too, in its earliest
application, was employed to represent military portraits, and arms with
scrolls containing short sentences, from which family mottoes may have
originated. Warton[44] places this gorgeous ornament at an era earlier
than the reign of Edward II.
Encaustic tiles, also, which were introduced in the early days of
heraldry, afforded another means of displaying the insignia of warriors.
They are still found in the pavements of many of our cathedrals and old
parish churches.
Rolls of Arms, which afford, after seals, the best possible evidence of
the ancient tinctures and charges, occur so early as the time of Henry
III. A document of this description, belonging to that reign, is preserved
in the College of Arms, and contains upwards of 200 coats emblazoned or
described in terms of heraldry differing very little from the modern
nomenclature. In a subsequent chapter I shall have occasion to refer for
some facts to this curious and valuable manuscript.
In the succeeding reigns the science rapidly increased in importance and
utility. The king and his chief nobility began to have heralds attached to
their establishments. These officials, at a later date, took their names
from some badge or cognizance of the family whom they served, such as
Falcon, Rouge Dragon, or from their master's title, as Hereford,
Huntingdon, &c. They were, in many instances, old servants or retainers,
who had borne the brunt of war,[45] and who, in their official capacity,
attending tournaments and battle-fields, had great opportunities of making
collections of arms, and gathering genealogical particulars. It is to
them, as men devoid of general literature and historical knowledge, Mr.
Montagu ascribes the fabulous and romantic stories connected with antient
heraldry; and certainly they had great temptations to falsify facts, and
give scope to invention when a championship for the dignity and antiquity
of the families upon whom they attended was at once a labour of love and
an essential duty of their office.
Public-domain text, read in full here on John Shaqi.
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