This visionary maiden Madimi, of whom Dee relates so much in his diary, was apparently a child of fancy, a creation of Kelley’s fertile brain. The diary is somewhat obscure in this particular and easily misunderstood; but there can be little doubt that where Madimi is represented as speaking, it is Kelley’s voice that transmits to Dee her revelations. One passage, often overlooked, gives evidence of this. Madimi has appeared and is addressing her remarks to Kelley and to Dee by turns; finally, Dee says, “I know you see me often and I see you only by faith and imagination.” To this Madimi quickly retorts, “pointing to E. K.” (Kelley), “That sight is perfecter than his.” Evidently we must understand this to signify something that Kelley has told Dee, for the latter’s words show that he did not himself see the little fairy pointing to his friend. In many respects little Madimi may recall another “spiritual” maiden of whom we heard much a few years ago, the sprightly little Indian spirit “Bright Eyes,” whose love for candy and jewelry was so very earthly. Not only the quality of the crystal had to be considered, but also its support and surroundings. Of this we have an interesting instance in the case of Dr. Dee’s crystal. In one of his manuscripts is recorded the fact that on the 10th of March, 1582, Kelley saw in the crystal a representation of the form and arrangement of the table on which it should be set; particular instructions on the matter were also directly imparted to the scryer by the angel Uriel. The table was to be square, measuring two cubits each way and two cubits in height; and it was to have four feet. The material was to be “swete wood” and upon it was to be placed the Sigillum Dei (Seal of God) impressed upon the purest, colorless wax, the disk being 1⅛ inches thick and 9 inches in diameter. It bore a cross and the magic letters A. G. L. A., a transliteration into Roman characters of the initials of the Hebrew words signifying “Thou are great forever, O Lord.” Four other and smaller seals were to be provided, one to be placed under each leg of the table; each of these seals being impressed with geometrical figures within or upon which were the seven sacred names of God and the names of the seven angels ruling the seven planetary heavens; Zabothiel, Zedekiel, Madiniel, Semeliel [Semeshiel], Nogabiel, Corabiel [Cocabiel] and Levaniel, the angels, respectively, of Saturn, Jupiter, Mars, the Sun, Venus, Mercury and the Moon. There then appeared to the scryer the figure of the table with the crystal resting upon it. Of this it is said:[290] “Under the table did seeme to be layd red sylk to lye four square somewhat broader than the table, hanging down with four knops or tassells at the four corners thereof. Uppon the uppermost red silk did seme to be set the stone with the frame, right over and uppon the principal seal, saving that the sayd sylk was betwene the one and the other.”