The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetaryKunz, George Frederick
Religion
The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetary
Kunz, George Frederick
Gems; Gems -- Folklore
Shelley, who saw the world illumined by the rainbow hues of poetic
fancy, wrote of “diamond eyes,” “an emerald sky,” “the emerald heaven
of trees,” “the sapphire ocean,” “sapphire-tinted skies,” “the sapphire
floods of interstellar air,” and “the chrysolite of sunrise.” For some
reason, he does not use the ruby, a favorite stone with many poets, and
psychologists might find in this a proof that red appeals less strongly
to the idealist than do the other colors.
The principal literary sources for the talismanic and therapeutic
virtues attributed to ornamental stones may be divided into several
groups, at first more or less independent of each other, but combined
to a greater or lesser extent by later writers. Pliny gives, sometimes
rather grudgingly, a number of superstitions current in his time, but
the Alexandrian literature of the second, third, and fourth Christian
centuries provides a much richer field for these superstitions, as
shown in the Orphic poem “Lithica,” the “Cyrianides,” attributed to
Hermes Trismegistus, the little treatise “On Rivers,” which bore the
name of Plutarch, and last, but not least, in the work by Damigeron,
which purported to be written by an Arab king named Evax, and sent
by him to Tiberius or Nero. The influence exerted by the legends
surrounding the stones of the high priest’s breastplate, and those
chosen as foundation stones for the New Jerusalem, will be treated of
elsewhere.
In the seventh, eighth, and ninth centuries, a new literature on this
subject made its appearance, probably in Asia Minor. Some of the works
were originally written in Syriac and later translated into Arabic.
Others were composed in the latter language. This source was drawn
upon for the production of the Lapidarium of Alfonso X, of Castile.
This compilation, although dating in its present Spanish form from the
thirteenth century, is based upon a much older original in “Chaldee”
(Syriac?). There can be little doubt that many Hindu superstitions,
no longer preserved for us in the literature of India, are reproduced
in these Syrio-Arabic works, wherein we have also much that is of
Alexandrian origin. This indeed is easily explained by history, for the
Arabs, through their widely extended conquests, were led to absorb and
amalgamate the data they secured, directly or indirectly, from the East
and the West.
Public-domain text, read in full here on John Shaqi.
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