The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetaryKunz, George Frederick
Religion
The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetary
Kunz, George Frederick
Gems; Gems -- Folklore
I. Odem. [אֹדֶם.] The etymology of this word clearly indicates that
we have to do with a red stone, most probably the carnelian. We know
that in ancient Egypt hieroglyphic texts from the Book of the Dead were
engraved upon amulets made from this stone, and it was also used for
early Babylonian cylinders. Fine specimens of carnelian were obtained
from Arabia. The Greek Septuagint and the Latin Vulgate, as well as
Josephus, in the “Wars of the Jews” (V, 5, 7), and Epiphanius, all
translate _sardius_, the ancient designation of carnelian; in his
“Antiquities,” however, Josephus renders _odem_ by “sardonyx.” The
Egyptian word _chenem_ was used to designate red stones, and seems to
have been applied indifferently to red jasper and red feldspar as well
as to carnelian; indeed, the first-named material was more freely used
in early Egyptian work than the carnelian. It is, therefore, probable
that in Mosaic times _odem_ signified red jasper, while for the fifth
century B.C. “carnelian” would be the better rendering. This modern
name of the _sardius_, signifying the “flesh-colored” stone, first
appears in the Latin translation of a treatise by Luca ben Costa, who
wrote in the tenth century A.D. The name of Reuben is said to have been
engraved on the _odem_ stone, which occupied the first place on the
breastplate.
II. Piṭdah. [פַּטְדָה.] There seems to be little doubt that this is the
_topazius_ of ancient writers, which usually signified our chrysolite,
or peridot, not our topaz; for Pliny and his successors describe the
topazius as a stone of a greenish hue. A legend related by Pliny gives
as the place of origin an island in the Red Sea, called Topazos, from
_topazein_, “to conjecture,” because it was difficult to find. However,
the Hebrew _piṭdah_ appears to have been derived from the Sanskrit
_piṭa_, “yellow,” and should, therefore, have originally signified
a yellow stone, perhaps our topaz. W. M. Flinders Petrie, probably
influenced by this Sanskrit etymology, sees in it the yellow serpentine
used in ancient Egypt. If, nevertheless, we admit that a light green
stone occupied the second place on the Mosaic breastplate, it was
perhaps the light green serpentine. This was called _meh_ in Egyptian,
and was often used for amulets. In the case of the later breastplate we
may substitute the peridot. On this second stone was engraved the name
Simeon.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account