The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetary — John Shaqi
The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetaryKunz, George Frederick
Religion
The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetary
Kunz, George Frederick
Gems; Gems -- Folklore
The renowned medieval philosopher and theologian, Albertus Magnus
(1193-1280), for a short time Bishop of Ratisbon, and who later taught
theology in the University of Paris and had the great St. Thomas
Aquinas for a pupil, was not altogether free from the superstitious
notions of his time, traces of which appear in certain of his
numerous writings. Many years after his death some of this material
was extracted from his works and, amplified by additions from other
sources, was published under the title “Secrets des vertus des Herbes,
Pierres et Bestes.” Of this there are two versions, one being an
epitome of the other and termed respectively “Le Grand Albert” and
“Le Petit Albert.” These little books were often reprinted and widely
circulated, and eventually enjoyed great popularity among the French
peasants. Indeed, even to the present day they may still be met with in
out-of-the-way parts of rural France.
Among literary deceptions one of the boldest was that practised in the
early part of the seventeenth century by Ludovico Dolce. This writer
made, in 1565, a literal translation into Italian of the “Speculum
lapidum” of Camillo Leonardo, printed in Venice in 1502, and he had the
courage to issue it as his own work, under the title “Trattato delle
gemme chè produce la natura.” In view of the general familiarity with
Latin among the better classes at that period, and the numerous fine
libraries existing in Venice at the time, it seems most extraordinary
that Dolce should have been successful in palming off this work as his
own, but even to-day citations are made from Dolce’s “Trattato delle
gemme” and from Leonardo’s “Speculum lapidum,” as though these were
distinct works.
II
On the Use of Precious and Semi-Precious Stones as Talismans and Amulets
Public-domain text, read in full here on John Shaqi.
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