The Dabistán, or School of manners, Volume 1 (of 3): translated from the original Persian, with notes and illustrations
Religion
The Dabistán, or School of manners, Volume 1 (of 3): translated from the original Persian, with notes and illustrations
Iran -- Religion; Religions
they call _Farnishin_, “the splendid seat,” but by the Hindi Jogies it
is named the _Padma ásan_,[302] or “Lotus seat.” If he then repeat the
_Zekr-i-Mukzhub_, he either lays hold of the great toes with his
hands, or if he prefer, removes his feet off the thighs, seating
himself in the ordinary position, which is quite sufficient――then,
with closed eyes, the hands placed on the thighs, the armpits open,
the back erect, the head thrown forward, and fetching up from the
navel with all his force the word _Nist_, he raises his head up: next,
in reciting the word _Hésti_, he inclines the head towards the right
breast; on reciting the word _Magar_, he holds the head erect; after
which he utters _Yezdan_, bowing the head to the left breast, the seat
of the heart. The devotee makes no pause between the words thus
recited; nay, if possible, he utters several formularies in one
breath, gradually increasing their number. The words of the formulary
(_Nist hesti magar yezdan_, “there is no existence save God”) are thus
set forth: “Nothing exists but God;” or, “There is no God, but God;”
or, “There is no adoration except for what is adorable;” or this, “He
to whom worship is due is pure and necessarily existent;” or, “He who
is without equal, form, color, or model.” It is permitted to use this
formulary publicly, but the inward meditation is most generally
adopted by priests and holy persons; as the senses become disturbed by
exclamations and clamors, and the object of retirement is to keep them
collected. In the inward meditation, the worshipper regards three
objects as present: “God, the heart, and the spirit of his Teacher;”
whilst he revolves in his heart the purport of this formulary: “There
is nothing in existence but God.” But if he proceeds to the
suppression of breath, which is called the “knowledge of _Dam_ and
_Súmrad_,” or the science of breath and imagination, he closes not the
eyes, but directs them to the tip of the nose, as we have before
explained under the first mode of sitting: this institute has also
been recorded in the _Surud-i-Mastan_, but the present does not
include all the minute details.[303]
Public-domain text, read in full here on John Shaqi.
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