The daily life of the Greeks and Romans as illustrated in the classical collectionsMetropolitan Museum of Art (New York, N.Y.)
History
The daily life of the Greeks and Romans as illustrated in the classical collections
Metropolitan Museum of Art (New York, N.Y.)
Art, Greek; Art, Roman; Greece -- Social life and customs; Rome -- Social life and customs
in the Fourth Room will make clear the gradual change of style from
elaboration to simplicity.
[Illustration: FIG. 71. WOMEN’S COIFFURES]
The styles of women’s hair-dressing can be best understood by looking
at the statues, vases, and terracottas in the collection. A variety of
ornamental kerchiefs was worn, especially a very pretty band called
sphendone, “sling,” from its shape (fig. 71). On the bottom of Case J in
the Fifth Room is a large stamnos decorated with groups of women dressed
in the Ionic and Doric chitons and wearing various kinds of head-dresses.
Many of the terracottas in the Sixth Room and the head of a young
goddess, No. 7 in the Sculpture Gallery, illustrate the “melon” coiffure
which became the mode in the fourth century.
Fashions in dress were the same in general throughout the Greek world,
although of course there were local peculiarities. In Sparta boys and men
often wore only a small wrap without a chiton, and young men commonly
went barefoot. The women wore the Doric chiton.
[Illustration: FIG. 72. STRIGIL]
The jewelry in use included necklaces and bracelets, rings for the
ears and fingers, and pins for the hair and clothes. The Doric chiton
originally required two very large pins, which were inserted with the
points upwards, but they went out of use in the sixth century when the
Ionic chiton came into fashion and were not worn with the later Doric
chiton. The fibula or safety-pin was used throughout the Greek and Roman
world. A group of these pins of various types is exhibited in Case D in
the Second Room. The fibula illustrated in the head-band is in the Gold
Room. Greek jewelry of the fifth and fourth centuries was frequently of
great beauty. Precious stones were used but seldom until the Hellenistic
period, but the excellence of Greek workmanship has rarely been equalled
by other craftsmen. The Greek gentleman permitted himself only a handsome
ring which was useful as a seal, and the artistic value of these engraved
seal rings of gold or of gold set with a semi-precious stone has made
them favorites with collectors for many centuries. The rings and gems in
cases in the rooms of the Classical Wing, and the beautiful jewelry in
the Gold Room are proofs of the skill of Greek workmen and the fine taste
of their patrons (fig. 70).
[Illustration: FIG. 73. RAZOR]
[Illustration: FIG. 74. ALABASTRON]
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