With the instinct of the healthy bachelor I always try to make myself a
nest in the place I live in, be it for long or short. Whether visiting,
in lodging-house, or in hotel, the first essential is this nest--one's
own things built into the walls as a bird builds in its feathers. It may
look desolate and uncomfortable enough to others, because the central
detail is neither bed nor wardrobe, sofa nor armchair, but a good solid
writing-table that does not wriggle, and that has wide elbowroom.
And The Towers is vividly described for me by the single fact that I
could not "nest" there.
I took several days to discover this, but the first impression of
impermanence was truer than I knew. The feathers of the mind refused
here to lie one way. They ruffled, pointed, and grew wild.
Luxurious furniture does not mean comfort; I might as well have tried to
settle down in the sofa and armchair department of a big shop. My
bedroom was easily managed; it was the private workroom, prepared
especially for my reception, that made me feel alien and outcast.
Externally, it was all one could desire: an antechamber to the great
library, with not one, but two generous oak tables, to say nothing of
smaller ones against the walls with capacious drawers.
There were reading desks, mechanical devices for holding books, perfect
light, quiet as in a church, and no approach but across the huge
adjoining room. Yet it did not invite.
"I hope you'll be able to work here," said my little hostess the next
morning, as she took me in--her only visit to it while I stayed in the
house--and showed me the ten-volume Catalogue.
"It's absolutely quiet and no one will disturb you."
"If you can't, Bill, you're not much good," laughed Frances, who was on
her arm. "Even I could write in a study like this!"
I glanced with pleasure at the ample tables, the sheets of thick
blotting paper, the rulers, sealing wax, paper knives, and all the other
immaculate paraphernalia. "It's perfect," I answered with a secret
thrill, yet feeling a little foolish. This was for Gibbon or Carlyle,
rather than for my potboiling insignificancies. "If I can't write
masterpieces here, it's certainly not your fault," and I turned with
gratitude to Mrs. Franklyn. She was looking straight at me, and there
was a question in her small pale eyes I did not understand. Was she
noting the effect upon me, I wondered?
"You'll write here--perhaps a story about the house," she said,
"Thompson will bring you anything you want; you only have to ring." She
pointed to the electric bell on the central table, the wire running
neatly down the leg. "No one has ever worked here before, and the
library has been hardly used since it was put in. So there's no previous
atmosphere to affect your imagination--er--adversely."
We laughed. "Bill isn't that sort," said my sister; while I wished they
would go out and leave me to arrange my little nest and set to work.
Public-domain text, read in full here on John Shaqi.
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