I thought, of course, it was the huge listening library that made me
feel so inconsiderable--the fifteen thousand silent, staring books, the
solemn aisles, the deep, eloquent shelves. But when the women had gone
and I was alone, the beginning of the truth crept over me, and I felt
that first hint of disconsolateness which later became an imperative No.
The mind shut down, images ceased to rise and flow. I read, made copious
notes, but I wrote no single line at The Towers.
Nothing completed itself there. Nothing happened.
The morning sunshine poured into the library through ten long narrow
windows; birds were singing; the autumn air, rich with a faint aroma of
November melancholy that stung the imagination pleasantly, filled my
antechamber. I looked out upon the undulating wooded landscape, hemmed
in by the sweep of distant Downs, and I tasted a whiff of the sea. Rooks
cawed as they floated above the elms, and there were lazy cows in the
nearer meadows. A dozen times I tried to make my nest and settle down to
work, and a dozen times, like a turning fastidious dog upon a hearth
rug, I rearranged my chair and books and papers. The temptation of the
Catalogue and shelves, of course, was accountable for much, yet not, I
felt, for all. That was a manageable seduction. My work, moreover, was
not of the creative kind that requires absolute absorption; it was the
mere readable presentation of data I had accumulated. My notebooks were
charged with facts ready to tabulate--facts, too, that interested me
keenly. A mere effort of the will was necessary, and concentration of no
difficult kind. Yet, somehow, it seemed beyond me: something forever
pushed the facts into disorder ... and in the end I sat in the sunshine,
dipping into a dozen books selected from the shelves outside, vexed with
myself and only half-enjoying it. I felt restless. I wanted to be
elsewhere.
And even while I read, attention wandered. Frances, Mabel, her late
husband, the house and grounds, each in turn and sometimes all together,
rose uninvited into the stream of thought, hindering any consecutive
flow of work. In disconnected fashion came these pictures that
interrupted concentration, yet presenting themselves as broken fragments
of a bigger thing my mind already groped for unconsciously. They
fluttered round this hidden thing of which they were aspects, fugitive
interpretations, no one of them bringing complete revelation. There was
no adjective, such as pleasant or unpleasant, that I could attach to
what I felt, beyond that the result was unsettling. Vague as the
atmosphere of a dream, it yet persisted, and I could not dissipate it.
Isolated words or phrases in the lines I read sent questions scouring
across my mind, sure sign that the deeper part of me was restless and
ill at ease.
Public-domain text, read in full here on John Shaqi.
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