To deal with my own, however, I call it goblin, because an odd aspect of
the quaint in it yet never quite achieved the picturesque. Grotesque,
probably, is the truer word, for everywhere I noticed, and for the first
time, this slight alteration of the natural due either to the
exaggeration of some detail, or to its suppression, generally, I think,
to the latter. Life everywhere appeared to me as blocked from the full
delivery of its sweet and lovely message. Some counter influence stopped
it--suppression; or sent it awry--exaggeration. The house itself, mere
expression, of course, of a narrow, limited mind, was sheer ugliness; it
required no further explanation. With the grounds and garden, so far as
shape and general plan were concerned, this was also true; but that
trees and flowers and other natural details should share the same
deficiency perplexed my logical soul, and even dismayed it. I stood and
stared, then moved about, and stood and stared again. Everywhere was
this mockery of a sinister, unfinished aspect. I sought in vain to
recover my normal point of view. My mind had found this goblin garden
and wandered to and fro in it, unable to escape.
The change was in myself, of course, and so trivial were the details
which illustrated it, that they sound absurd, thus mentioned one by one.
For me, they proved it, is all I can affirm. The goblin touch lay
plainly everywhere: in the forms of the trees, planted at neat intervals
along the lawns; in this twisted ash that rustled just behind me; in the
shadow of the gloomy wellingtonias, whose sweeping skirts obscured the
grass; but especially, I noticed, in the tops and crests of them. For
here, the delicate, graceful curves of last year's growth seemed to
shrink back into themselves. None of them pointed upwards. Their life
had failed and turned aside just when it should have become triumphant.
The character of a tree reveals itself chiefly at the extremities, and
it was precisely here that they all drooped and achieved this hint of
goblin distortion--in the growth, that is, of the last few years. What
ought to have been fairy, joyful, natural, was instead uncomely to the
verge of the grotesque. Spontaneous expression was arrested. My mind
perceived a goblin garden, and was caught in it. The place grimaced at
me.
With the flowers it was similar, though far more difficult to detect in
detail for description. I saw the smaller vegetable growth as impish,
half-malicious. Even the terraces sloped ill, as though their ends had
sagged since they had been so lavishly constructed; their varying angles
gave a queerly bewildering aspect to their sequence that was unpleasant
to the eye. One might wander among their deceptive lengths and get lost
--lost among open terraces!--with the house quite close at hand. Unhomely
seemed the entire garden, unable to give repose, restlessness in it
everywhere, almost strife, and discord certainly.
Public-domain text, read in full here on John Shaqi.
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