Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive. Additional images courtesy of Google Books.) THE DANCE OF DEATH. [Illustration] The Dance of Death EXHIBITED IN ELEGANT ENGRAVINGS ON WOOD WITH A DISSERTATION ON THE SEVERAL REPRESENTATIONS OF THAT SUBJECT BUT MORE PARTICULARLY ON THOSE ASCRIBED TO Macaber and Hans Holbein BY FRANCIS DOUCE ESQ. F. A. S. AND A MEMBER OF THE SOCIETY OF ANTIQUARIES OF NORMANDY AND OF THE ACADEMY OF SCIENCES ETC. AT CAEN Pallida mors æquo pulsat pede pauperum tabernas Regumque turres. HORAT. lib. i. od. 4. LONDON WILLIAM PICKERING 1833 C. Whittingham, Tooks Court, Chancery Lane. PREFACE. The very ample discussion which the extremely popular subject of the Dance of Death has already undergone might seem to preclude the necessity of attempting to bestow on it any further elucidation; nor would the present Essay have ever made its appearance, but for certain reasons which are necessary to be stated. The beautiful designs which have been, perhaps too implicitly, regarded as the invention of the justly celebrated painter, Hans Holbein, are chiefly known in this country by the inaccurate etchings of most of them by Wenceslaus Hollar, the copper-plates of which having formerly become the property of Mr. Edwards, of Pall Mall, were published by him, accompanied by a very hasty and imperfect dissertation; which, with fewer faults, and considerable enlargement, is here again submitted to public attention. It is appended to a set of fac-similes of the above-mentioned elegant designs, and which, at a very liberal expense that has been incurred by the proprietor and publisher of this volume, have been executed with consummate skill and fidelity by Messrs. Bonner and Byfield, two of our best artists in the line of wood engraving. They may very justly be regarded as scarcely distinguishable from their fine originals. The remarks in the course of this Essay on a supposed German poet, under the name of Macaber, and the discussion relating to Holbein's connection with the Dance of Death, may perhaps be found interesting to the critical reader only; but every admirer of ancient art will not fail to be gratified by an intimate acquaintance with one of its finest specimens in the copy which is here so faithfully exhibited.