The Dance of Death: Exhibited in Elegant Engravings on Wood with a Dissertation on the Several Representations of that Subject but More Particularly on Those Ascribed to Macaber and Hans HolbeinDouce, Francis
History
The Dance of Death: Exhibited in Elegant Engravings on Wood with a Dissertation on the Several Representations of that Subject but More Particularly on Those Ascribed to Macaber and Hans Holbein
Douce, Francis
Bible. Old Testament -- Illustrations; Dance of death
The designs for the Dance of Death, published at Lyons in 1538, and
hitherto regarded as the invention of Holbein, are, in the course of this
Dissertation, referred to under the appellation of _the Lyons wood-cuts_;
and with respect to the term _Macaber_, which has been so mistakenly used
as the name of a real author, it has been nevertheless preserved on the
same principle that the word _Gothic_ has been so generally adopted for
the purpose of designating the pointed style of architecture in the middle
ages.
F. D.
CONTENTS.
Page
CHAPTER I.
Personification of Death, and other modes of representing it
among the Ancients.--Same subject during the Middle Ages.--
Erroneous notions respecting Death.--Monumental
absurdities.--Allegorical pageant of the Dance of Death
represented in early times by living persons in churches and
cemeteries.--Some of these dances described.--Not unknown to
the Ancients.--Introduction of the infernal, or dance of
Macaber 1
CHAPTER II.
Places where the Dance of Death was sculptured or depicted.--
Usually accompanied by verses describing the several
characters.--Other metrical compositions on the Dance 17
CHAPTER III.
Macaber not a German or any other poet, but a nonentity.--
Corruption and confusion respecting this word.--Etymological
errors concerning it.--How connected with the Dance.--Trois
mors et trois vifs.--Orgagna's painting in the Campo Santo at
Pisa.--Its connection with the trois mors et trois vifs, as
well as with the Macaber Dance.--Saint Macarius the real
Macaber.--Paintings of this dance in various places.--At
Minden; Church-yard of the Innocents at Paris; Dijon; Basle;
Klingenthal; Lubeck; Leipsic; Anneberg; Dresden; Erfurth;
Nuremberg; Berne; Lucerne; Amiens; Rouen; Fescamp; Blois;
Strasburg; Berlin; Vienna; Holland; Italy; Spain 28
CHAPTER IV.
Macaber Dance in England.--St. Paul's.--Salisbury.--
Wortley-hall.--Hexham.--Croydon.--Tower of London.--Lines in
Pierce Plowman's Vision supposed to refer to it 51
CHAPTER V.
List of editions of the Macaber Dance.--Printed Horæ that
contain it.--Manuscript Horæ.--Other Manuscripts in which it
occurs.--Various articles with letter-press, not being single
prints, but connected with it 55
CHAPTER VI.
Hans Holbein's connection with the Dance of Death.--A dance
of peasants at Basle.--Lyons edition of the Dance of Death,
1538.--Doubts as to any prior edition.--Dedication to the
edition of 1538.--Mr. Ottley's opinion of it examined.--
Artists supposed to have been connected with this work.--
Holbein's name in none of the old editions.--Reperdius 78
CHAPTER VII.
Public-domain text, read in full here on John Shaqi.
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