hand of Wolgemut, the master of Albert Durer, has not omitted to exhibit the representations of the above unhappy persons, equally correct, no doubt, as the story itself, though the same warranty cannot be offered for a similar representation, in Gottfried's Chronicle and that copious repertory of monstrosities, Boistuau and Belleforest's Histoires Prodigieuses. The Nuremberg Chronicle[11] has yet another relation on this subject of some persons who continued dancing and singing on a bridge whilst the eucharist was passing over it. The bridge gave way in the middle, and from one end of it 200 persons were precipitated into the river Moselle, the other end remaining so as to permit the priest and his host to pass uninjured. In that extremely curious work, the Manuel de Pêché, usually ascribed to Bishop Grosthead, the pious author, after much declamation against the vices of the times, has this passage:-- Karoles ne lutes ne deit nul fere, En seint eglise ki me voil crere; Kas en cimetere karoler, Utrage est grant u lutter.[12] He then relates the story in the Nuremberg Chronicle, for which he quotes the book of Saint Clement. Grosthead's work was translated about the year 1300 into English verse by Robert Mannyng, commonly called Robert de Brunne, a Gilbertine canon. His translation often differs from his original, with much amplification and occasional illustrations by himself. As the account of the Nuremberg story varies so materially, and as the scene is laid in England, it has been thought worth inserting.