The Dances of Death: Through the Various Stages of Human Life: Wherein the Capriciousness of that Tyrant is Exhibited
Philosophy
The Dances of Death: Through the Various Stages of Human Life: Wherein the Capriciousness of that Tyrant is Exhibited
Dance of death; Dance of death in art
This prince, as he is coming out of his palace with his courtiers, is
accosted by a poor woman, who implores his help for herself and the
infant she holds by the hand; but he, insensible to the distresses of
the widow and orphan, refuses to listen, and is turning aside with a
disdainful air to his courtiers. Death at this instant appears; and his
severe aspect announces, that he is just about to make him repent his
hard-heartedness.
[Illustration: _Princeps induetur mœrore, et quiescere faciam superbiam
potentium. Ezek. vii. 24, 27._]
PLANCHE VII.—L’ELECTEUR.
Ce prince sortant de son palais avec ses courtisans, est abordé par
une pauvre femme qui implore son secours, pour elle & pour l’enfant
qu’elle tient par la main; mais insensible aux besoins de la veuve & de
l’orphelin, il refuse de l’écouter, & se tourne d’un air dédaigneux du
côté de ses courtisans. La Mort paroît dans cet instant, & son air sévère
annonce qu’elle va le faire répentir de la dureté.
PLATE VIII.—THE BISHOP.
With an air of tranquillity and resignation, this worthy Pastor follows
Death, who is leading him away laughing and dancing, whilst some
shepherds, forgetting their flocks, are wandering here and there through
the country, in despair for the loss of their chief. The sun, now ready
to set, is just about to leave in darkness the ill-fated flocks, who,
having no longer a conductor, will soon become the prey of wolves and
other ravenous animals.
[Illustration: _Percutiam pastorem, et dispergentur oves gregis. Matt.
xxvi. 31._]
PLANCHE VIII.—L’EVEQUE.
D’un air de tranquillité & de résignation ce bon Pasteur suit la Mort,
qui l’emmène en riant et en dansant, tandis que quelques bergers,
oubliant leur troupeau, errent çà & là dans la campagne, désespérés de
la perte de leur chef. Le soleil prêt à se coucher, va laisser dans les
ténèbres ce malheureux troupeau, qui n’ayant plus de conducteur, sera
bientôt la proie du loup & des autres bêtes féroces.
PLATE IX.—THE CANON.
At the moment he is entering the church, Death accosts him; and, shewing
him an hour-glass run down, announces that his hour is come. He appears
to be a dignitary of the first rank; for he is followed by a page, a
huntsman, who carries a falcon on his fist, and a fool.
[Illustration: _Ecce appropinquat hora. Matth. xxvi. 45._]
PLANCHE IX.—LE CHANOINE.
Au moment où il entre dans l’église, la Mort l’aborde, & en lui montrant
un sable écoulé, lui annonce que son heure est venue. Il paroît que c’est
un dignitaire du premier rang, puis qu’il est suivi d’un page, d’un
veneur qui porte un faucon sur le poing, & d’un bouffon.
PLATE X.—THE FRIAR PROVISOR.
As he is just stepping into his convent, with his Christmas-box and
wallet, Death stops him at the door; and deaf to his cries, as well as
regardless of the fright he throws him into, drags him with all his might
by the cloak, and renders all the good Friar’s attempts to disengage
himself ineffectual.
Public-domain text, read in full here on John Shaqi.
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