The family had grown to dread the times when Theo was settling on a plot
for a new story. She was so restless; she wandered about in such an
aimless manner; she looked so thoroughly worried and unhappy. Sometimes
the girls would try to help her with suggestions, and then she would
listen with a forbearing smile, and say, "Oh, thank you! Yes, it's
_very_ good. I should think a capital story might be made out of it,
but somehow it doesn't appeal to me."
At other times, when they were never thinking of helping, and were
engaged in what seemed the most ordinary conversation, Theo would
suddenly clap her hands and cry, "Oh, that will do! Good! _Now_ I've
got it!" and rush excitedly from the room, leaving her sisters to
discuss what in the world they had said that could possibly suggest a
romance. Verily, an author in the household was a difficult person with
whom to deal!
For the next few days Theo sat alone in her room making futile efforts
at a beginning, going out for long walks along the crowded streets, or
sitting shivering on the seats in the Park. In deference to her
condition, Hope kept away from the piano while she was at home; but no
sooner was the door closed behind her than she flew to try the effect of
the new song, and to alter and re-alter the more troublesome bars. She
must practise, too, for with the hope of public work before her it would
never do to lose execution and flexibility of finger. Already she was
making arrangements for lessons in harmony, and her time seemed filling
up.
In the energy which distinguishes all beginnings, Hope practised scales
and exercises for a good three hours one Saturday afternoon, and towards
the end of the time was much exercised to account for the meaning of a
thumping noise that seemed to rise from the ground beneath her feet.
She stopped playing; the noise stopped also. She began again; the noise
was repeated. Philippa, summoned to decide whether or no they were the
proud possessors of a unique sort of echo, immediately arrived at a more
prosaic explanation.
"It's some one knocking from underneath. It must be the Hermit, that
bachelor creature who lives just below. He wants you to stop."
"What cheek!" cried Hope. She was, as a rule, discreet and punctilious
in her language, but there are points upon which the meekest among us
are keenly sensitive, and when it came to interference with her
practising, propriety flew to the winds. "What _hateful_ cheek! What
right has he to interfere! Has he hired the whole building? Does he
think we are going to consult _him_ about what we do? What next,
indeed? I'll try chromatics now, and see how he will like them. Cheek!
Abominable cheek?"
Public-domain text, read in full here on John Shaqi.
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