She went to work more vigorously than ever, and Philippa thought it
prudent to refrain from interference, but contented herself with
hurrying preparations for tea; and for the time being there was no more
knocking. Presumably the chromatics had reduced the listener to a
condition of helpless despair.
On the third evening Theo made her appearance wearing her best fichu,
and with a face wreathed in smiles. "I've got it!" she announced; and
there was no need to ask to what she referred. The tension was over for
the time being, and the young author worked up her subject with the
usual enjoyment. When the story was finished the girls begged for a
private reading; a request against which, as a rule, the author steadily
set her face, so that, as usual, the first response was a refusal.
"I can't. It is too cold-blooded. The members of one's own family are
too painfully critical. I'd rather face a dozen editors than you three
girls."
"Very unkind of you, then; that's all I have to say," said Philippa
severely. "You know how interested we are; and if we _are_ critical,
surely it's better to discuss faults with us than to let them go
uncorrected. This is a special story, and in consideration of our
anxiety--"
"Oh, well!" said Theo unwillingly, "I'll read it if you like. Get your
sewing, and don't stare at me all the time. It's quite short. You
won't like it, I expect. Let me sit near the lamp."
She was evidently nervous, and her voice was decidedly shaky for the
first few pages; but after that she forgot herself, and read with
expression and power. If one of the girls moved, she looked up with a
frown; and when Madge groaned and clasped her hands over her heart at a
particularly touching part of the love-story, she stopped short and
fixed her with a basilisk glare. It was a story of a truly modern type,
which, so to speak, began at the end and worked slowly but surely back
to the beginning. It was by no means certain, too, what the heroine
did, or why she did it; and if one had been sceptically minded, one
would have doubted whether the author knew herself. Hope was puzzled,
Madge engrossed and curious; Philippa was frankly bored. Her own nature
was straightforward and outspoken, and she had no patience with what
seemed to be wilful obtuseness. Her attention waned as a Martha-like
anxiety seized her in its grip; her eyes wandered to the clock, and her
brow grew furrowed. Alas for the trials of the author in the household!
At the very moment when Theo was preparing to deliver the crucial
sentence on which hung the whole construction of the plot--in that
thrilling moment wherein she paused and drew breath, the better to
deliver it with due emphasis and dramatic effect--an anxious voice
claimed precedence and cried loudly:
"_Hope_! It's after five. _Did_ you remember to order the fish?"
Public-domain text, read in full here on John Shaqi.
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