The Days of My Life: An AutobiographyOliphant, Mrs. (Margaret)
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The Days of My Life: An Autobiography
Oliphant, Mrs. (Margaret)
Oliphant, Mrs. (Margaret), 1828-1897
In a few minutes he was quite himself once more, and drew my hand upon
his arm, and went in with me to say farewell to the servants; he did so
with grace and dignity like an old knight of romance--for he was never
haughty to his inferiors, and they all loved him. They were crying and
sobbing, every one of them--even old Whitehead--and I cried too, I could
not help it; but my father was quite unmoved. He put me into the chaise,
took his seat beside me, waved his hand out of the window, smiling as
he did so--and then he closed the blinds rapidly on that side, and the
carriage drove away. It was all over like a dream. I dared not and could
not, look back upon the home which had been the centre of my thoughts
all my life; and with the cold night wind blowing in our faces, we were
hurrying to a new life, altogether severed from our old existence, and
from Cottiswoode.
Yes! the wind was in our faces, fresh and cold--and I never feel it so
now without an instant recollection of that long silent drive to
Cambridge, through the darkening October night. The long dark levels of
the fields rushed past us so swiftly, and with such a desolate
quietness; and the long luminous line of the horizon, and the dull
clouds of night kept us company with such a ghost-like constancy,
travelling at as quick a pace as ours. I was soon tired of weeping under
my veil, for I had all the restlessness of my years; and I can see now
how the darkness brooded upon the flat meadows, how there seemed no
human divisions of fence or hedge upon them, but only one blank line of
grass from which the night had taken all color, and of ploughed land
stretching back its lessening furrows over many acres, which the eye
ached to see. Sometimes miles away, a pollard willow bristled up upon
the sky, showing its every twig with a strange exaggeration as it stood
guarding some dreary point of road--and the solitary haystack which
belonged to some one of those poor stray cottages belated among the
fields, threw up its bulk like a goblin against that clear universal
background--that pale line of sky which brought out every outline with
such a ghostly distinction. Distance, space, the wild idea of an
unending and unreposing journey, are the very spirit and sentiment of
this country--I think sometimes its dull unfeatured outline is half
sublime; there are no mountain heights to attain to, no sweet valleys
charming you to rest; only the long lines converging into the infinite
sky--the fresh breeze in your face--and the rushing of your own
footsteps through the silence, crying--on--on!
There was not a word exchanged between us all the way--my father sat
quite still, looking out from one window, engaged I know not how, while
I looked from the other, feeling a strange enjoyment in the mere motion
and progress, and in the silence and dreamy dreariness of all those
flat, unvarying lines, that glided past us in the twilight and the
night.
Public-domain text, read in full here on John Shaqi.
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