The Death of the Gods: (Christ and Antichrist, 1 of 3) — John Shaqi
The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
Intrigues, scandals, gossipings, suspicions continually arose at
Macellum among the numberless idle servants. The whole pack of
varletry, in the hope of Court favour, subjected the two disgraced
young princes to espionage by night and day. Long as Julian could
remember, death was an hourly expectation. Little by little he had
accustomed himself to perpetual fear, being quite aware that neither
in the house nor garden could he take a step or make a gesture
unperceived by a thousand intent but invisible eyes. Hearing and
understanding much of the toils about him, the boy was forced to feign
ignorance. At one time it was the conversation between Eutropius and a
spy sent by the Emperor Constantius, in which the monk named Julian
and Gallus "the imperial scourges"; at another time, in the gallery
under the kitchen windows, it was the meditation of a cook, furious at
some insolence on the part of Gallus. She was saying to the washer-up
of the dishes, "God save my soul, Priscilla, but what I can't make
out is, why they haven't strangled them before!"
To-day, when Julian, after his lesson in theology, went out of the
house and perceived the greenness of the trees, he breathed more
freely. The two peaks of Mount Argæus, covered with snow, sparkled
against blue sky. The neighbourhood of glaciers made the air
refreshingly cool; garden alleys stretched hither and thither into the
distance; glistening dark-green foliage of oaks formed thick
vaultings; here and there a ray filtered through the branches of
plane-trees. Only one side of the garden was not walled in, for in
that direction lay a chasm. At the foot of the plateau on which the
castle stood, a dead plain stretched as far as Anti-Taurus, and from
this plain fierce heat rose in mist, while in the garden fresh streams
were running and little waterfalls tinkling through thickets of
oleanders.
A century before the date of which we are speaking Macellum had been
the favourite domain and pleasure-house of the luxurious and half-mad
Ariarathes, king of Cappadocia.
Julian took his way towards an isolated grotto, hard by the precipice,
in which a statue of the god Pan, playing the flute, stood over a
little sacrificial altar. Outside the grotto, a lion's mouth jetted
water into a stone basin, and a curtain of roses masked the entrance
while letting through its branches a view of the undulating hills and
the plain, far down and drowned in misty blue. The perfume of roses
filled the little cave, and the air there would have been oppressive
had it not been cooled by a stream channelled in the rocky floor.
The wind scattered the turf with yellow petals of roses, and flung
them floating on the water of the basin. From the dark and warm place
of shelter could be heard the humming of bees. There Julian,
stretched on the moss, used to read the _Banquet_ of Plato,
understanding nothing of many of the passages; but their beauty had
for him a double relish because it was a fruit forbidden.
Public-domain text, read in full here on John Shaqi.
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