The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
When his reading was done, Julian wrapped the book anew in the binding
of the "Epistles of the Apostle Paul," went up to the altar of Pan,
gazed at the joyous god as at an old accomplice, and, thrusting his
hand into a heap of dried leaves, drew from the interior of the altar,
which was cracked and covered with a piece of board, a small object
carefully enveloped in cloth. It was his own handiwork--a delightful
little Liburnian trireme, or galley with three banks of oars. He set
it swimming in the basin; the galley rocked on the miniature waves.
The model was complete,--three masts, rigging, oars, gilded prow, and
sails made of a fragment of purple silk, the gift of Labda. Nothing
was wanting but to fix the rudder, and the boy began the task.
From time to time, while planing a piece of board, he would look into
the distance, at the hills outlined in mist through the hedge of
roses. Beside his plaything Julian soon forgot all vexations, all
hates, and the eternal fear of death. In this little cave he imagined
himself a shipwrecked sailor. He was the wily Ulysses in some solitary
cavern facing the ocean, building a ship in which he might win back
again to Ithaca. But down yonder, there among the hills, where the
houses of Cæsarea shone white as the sea-foam, a little cross,
glittering high above the roof of the basilica, irritated him still.
That everlasting cross! Could he never be free of it, even here in his
own cave? He would resolve not to see it, and stooping, redoubled his
attention to the galley.
"Julian!" a voice cried; "Julian, Julian! Where in the world is he?
Eutropius is looking for you to go to church with him."
The boy shivered, and nimbly hid his handiwork inside the altar of
Pan. He smoothed his hair, shook his clothes, and when he came out of
the grotto had resumed an expression of impenetrable Christian
hypocrisy.
Eutropius, holding Julian's hand in his bony one, conducted him to
church.
IV
The Arian basilica of St. Maurice was built almost entirely of blocks
taken from the ruined temple of Apollo. The sacred court, the
_atrium_, was surrounded by colonnades. In the middle of this court
murmured a fountain, placed there for the ablutions of the faithful.
Under one of the side porticoes lay an ancient oaken tomb darkened
with age; and in this tomb were the wonder-working bones of St. Mamas,
for which Eutropius had obliged Julian and Gallus themselves to build
a stone-work shrine. The task of Gallus, who took to it as to a game,
went rapidly forward, while the wall of Julian frequently crumbled and
proved oddly unsatisfactory; a phenomenon which Eutropius explained by
remarking that St. Mamas refused the offering of children possessed by
the demon of pride.
Public-domain text, read in full here on John Shaqi.
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