The Death of the Gods: (Christ and Antichrist, 1 of 3) — John Shaqi
The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
The halt, the maimed, the sick, and the blind, expectant of miracle,
thronged near the tomb. Julian understood why they stationed
themselves here. One of the monks used to hold a pair of balances; the
pilgrims--some of them come from hamlets many leagues away--weighed
with scrupulous care pieces of linen, woollen stuff, or silk; and
having laid them on the tomb of St. Mamas, would fall to praying all
night. At daylight the stuff was weighed over again, and the weight
compared with the weight on the previous day. If the texture proved
heavier, it was declared that the prayer had been answered, that the
divine mercy, like dew, had soaked into the stuff and rendered it
capable of producing all manner of marvellous cures.
But frequently the prayer was in vain. The stuff weighed just what it
did before; and pilgrims would pass whole days, weeks, even months,
waiting at the sepulchre. Among the latter there was an old woman
named Theodula. Some called her demented; others counted her a saint.
For years she had not quitted the tomb of St. Mamas. The daughter for
whose restoration she had come to pray had now been a long while dead.
But Theodula continued kneeling ceaselessly before her faded and
ravelled fragment of cloth.
From the outer court three doors led into the basilica--one for women,
one for men, and the third, in the centre, for monks and the lower
clergy. With Eutropius and Gallus, Julian went in through this last
door, being _anagnost_ or reader of the lessons for the day. Clothed
in a long black robe with white sleeves, his hair anointed, and bound
back by a fillet that it might not fall into his eyes while reading
aloud, Julian passed through the midst of the faithful, his eyes fixed
humbly on the ground. His pale face assumed almost involuntarily the
inevitable and hypocritical expression of submissiveness. He ascended
the high rood-loft. The frescoes of the wall to the right depicted the
martyrdom of St. Euthymus, in which one executioner seized the
sufferer's head, while another, wrenching open his mouth with pincers,
brought the cup of molten lead to his lips. In another scene the
executioner with an instrument of torture was flaying the childish and
bleeding limbs of St. Euthymus, hanging from a tree by his hands.
Beneath these frescoes ran the inscription, "With the blood of the
martyrs, O Lord, Thy church is arrayed as in purple and fine linen."
Public-domain text, read in full here on John Shaqi.
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