The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
Julian ended. A profound hush succeeded in the church. Painful sighs
rose from the terrified crowd; and the noise of foreheads struck
against the earth and the clank of the fetters of Pamphilus,
accompanying his perpetual murmur: "Lord, Lord, give me tears!--grant
me mercy!--give me an end of remembrance!"
The child raised his eyes towards the spandril of mosaic between the
columns of the arcade, representing the Arian image of Christ; a
sombre, terrible figure, its wasted face aureoled in gold, and
diademed in the fashion of the Byzantine emperors. It was the face of
an old man, with a long thin nose and lips severely shut. With his
right hand he was blessing the world; in the left he held a book in
which was written, "Peace be with you; I am the Light of the World."
He was seated on a splendid throne, and a Roman emperor (Julian
imagined that it must be Constantius) was in the act of kissing his
feet.
In the penumbral shadow below this image, lighted by a single lamp,
could be discerned a bas-relief on a sarcophagus, dating from the
earliest Christian times. It displayed sea-nymphs, leopards, gay
tritons blowing their horns, and among them Moses, Jonah and his
whale, Orpheus charming the beasts with his lyre, an olive-branch, and
a dove; the whole sculpture a symbol of pure and childlike faith. In
the midst stood the Good Shepherd bearing on his shoulder the sheep
that had gone astray, the soul of the sinner. This barefooted youthful
figure, with beardless face, had the joyous and simple bearing of a
poor peasant, and his smile something of a heavenly sweetness.
Julian imagined that nobody nowadays knew or saw that Good Shepherd;
and this little picture of old times was somehow connected in his mind
with a dream of his childhood which he tried in vain to recover.
And, gazing at this youth, who seemed as if mysteriously reproaching
him, he murmured the name picked up from Mardonius, "Galilean!" At
that moment slanting rays of the sun through the windows trembled,
above, in a cloud of incense, which, aflame with reflections from the
gilded aureole, seemed to upheave the sombre and terrible image of the
Arian Christ. The choir chanted, "_Let all human flesh be dumb and bow
down, fearful and trembling, thinking no more of the things of the
earth; for the Emperor of emperors, the Lord of lords, has given
Himself afresh as a pledge and a food to His faithful; even He who is
surrounded by the hosts of angels, by all powers and dominions, by
cherubim with innumerable eyes, and by the six-winged seraphim,
veiling their faces and singing, 'Alleluia! Alleluia! Alleluia!'_"
Like a tempest the psalm swept over the bowed heads of the pilgrims.
The figure of the Good Shepherd faded into the distance; but its
youthful gaze remained steadily fixed upon Julian, a gaze full of
reproach. The heart of the child was moved, not by a sense of worship,
but by an intolerable fear; a fear before that mystery which was for
him to remain for ever insoluble.
V
Public-domain text, read in full here on John Shaqi.
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