The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
From the Arian basilica Julian returned to Macellum, and got out his
little galley which he had prepared for this special occasion; and
learning that Eutropius, after the Mass, had gone a journey of several
days, the boy slipped through the barred gates of the fortress, and
ran to the temple of Aphrodite, close to the church of St. Maurice.
The sacred wood of the goddess bordered the Christian cemetery.
Endless hostilities, debates, wranglings, and even lawsuits, were kept
up between these two temples. The Christians begged for the
destruction of the Pagan shrine; Olympiodorus, the sacrificing priest,
on the other hand, complained that the custodians of the basilica by
night would secretly cut down ancient cypresses in the sacred wood,
and dig graves for Christians in the soil belonging to Aphrodite.
Into the wood Julian wound his way; a warm breeze blew softly on his
cheek. In the afternoon heat the grey and fibrous bark of the
cypresses trickled with thick resinous tears. To Julian the dusk
seemed perfumed by the very breath of the goddess.
The white bodies of statues stood up in sharp relief against the rich
shadow of trees. An Eros there had been maimed by some custodian of
the basilica, who had rudely smashed off its marble bow. The weapon of
the little winged Love-god, together with his hands, lay in deep grass
at the foot of the pedestal. But although one-armed, the mischievous
boy continued to take aim, and a mad smile of malice still fluttered
on his lips.
Julian entered the house of the priest, Olympiodorus. Its rooms were
small but comfortable, and rather bare than luxurious. There was
neither carpet nor silver dish to be seen; the floors and furniture
were of wood, and the vessels of clay. But everything bore the stamp
of taste. The handle of the kitchen lamp was a marvellous little work
of art representing Neptune with his trident; the bold outlines of
earthen jars, full of olive oil, won the admiration of Julian; and
along the walls ran light frescoes, water nymphs mounted on
sea-unicorns; and dancing women, clothed in the long robe of votaries
of Pallas Athene, hovered along in graceful scroll-work.
The little house stood all smiling in its bath of sunshine. Nereids,
dancers, sea-unicorns, the Neptune on the lamp, and the inmates of the
house, all seemed folk cheerful by nature, guiltless of ugliness, of
malice or spleen. A couple of dozen olives, some white bread, a bunch
of grapes, some wine and water, these were enough to turn the little
meal into a feast, and Diophane, the wife of Olympiodorus, had in fact
tied a wreath of laurel to the door to mark that very day a feast-day.
Public-domain text, read in full here on John Shaqi.
The Death of the Gods: (Christ and Antichrist, 1 of 3) — John Shaqi
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