There was given to the Bourns, then, of old, natures sloping to the
Northern side, or they had taken that tendency from experience. Thaddeus
Bourn, that elder brother of Simon, who left Hagar so long ago as when
Quincy Adams was President, and became a civil flower of society in the
city of Hamilton, was a spontaneous variation or reaction from the type.
One heard that he had made a fortune airily, and lost it. He surely
married another, lost part of that, and his wife of a year or two, who
died and surprised him into regretting her with some sincerity. He
became an official of the Hamilton County Bank, and floated on in middle
life, buoyant, carrying an aroma of old fashions, a flower in his
buttonhole, a tall hat, a silver-headed cane. His eyes had wrinkles
about them, his cheeks were thin, his foot light. All these were evident
elements in the total of Thaddeus, but the total itself was not a sum,
but a harmony. To keep the seamy side of life turned down, and its sheen
always in the sun, not only was Thaddeus's practice and theory, but he
belonged to a distinct school in the practice of the art, which might be
called the pseudo-classic.
He sat by Helen's bed half a day, and talked to her as to a grown lady,
and was gracious and fluent. He brought the best flowers of his
worldliness, and jingled all his silver bells to please her.
"Not a finer pair of eyes in Hamilton!" he said to the widow.
"Positively she must not have a crick in her back. On my word,
impossible."
"We are taught to submit," said the widow, perhaps placidly, at any rate
patiently. Thaddeus mounted the stairs with a wrinkled smile.
"Sheep! That woman is a sheep! Helen, my dear, your back will be as
straight as my cane, I give you my word."
Nellie's lean hands, on the coverlet, and face, with its bacchante
spread of hair above her head on the pillow, were losing their brown tan
in the passage of slow weeks. The delicate creeping pallor and
helplessness beckoned Thaddeus to something tender, but he took council
with wisdom.
"Uncle Tad," she said, "why do you about always feel good?"
"Well, well, I haven't cracked my spine. Never cracked anything but my
heart and reputation--a--both of them like old varnish, on my word. Very
good, varnish them again. I have"--Thaddeus used his gold eye-glasses
gracefully to punctuate, emphasize, distinguish, for illustration, for
ornament--"I have the opinion that to feel agreeable and to be agreeable
are two habits that one cultivates like a garden. The first is a
vegetable, the second a flower. You see? Exactly. In point of fact they
are the fruit and flower of the same plant. A--a figure of speech,
Nellie. If you kindly wouldn't look at me like the Angel of Judgment.
A--look at the ceiling. Thank you."
Thaddeus delicately unfolded his theory of the conduct of life, Nellie's
grave eyes now and then confusing him with mute challenge.
Public-domain text, read in full here on John Shaqi.
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