The Deceased Wife's Sister, and My Beautiful Neighbour, v. 3 — John Shaqi
The Deceased Wife's Sister, and My Beautiful Neighbour, v. 3Russell, William Clark
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The Deceased Wife's Sister, and My Beautiful Neighbour, v. 3
Russell, William Clark
English fiction -- 19th century
But I found it impossible wholly to surrender my attention to my tasks.
Memory persistently reverted to the strange and beautiful apparition
that had startled me in my midnight saunter. Every day, nay, every
hour, was increasing my desire to know her. Yet I could hit upon no
means of introduction. To have hung about her house, to have loitered
near her garden, even had the absence of my companion rendered such
a device practicable, would have been unwise; since, if now from no
apparent cause she shunned intrusion or inspection, greater would be
her efforts to maintain her privacy when she discovered a stranger
sought to violate it.
One thing I could not hide from myself--I was in love with her. I am
well aware that under the circumstances the feeling was most absurd;
but I could not help it. The memory of her beauty took shape before me
at all hours, in all moods. And my love was illustrated and confirmed
by my wish to meet, to know, to speak with her.
Martelli noticed my abstraction. More than once I had remarked his
dusky eyes glowing on me with a gaze of interrogative inspection. But
he carefully repressed his curiosity. No observation ever escaped him
to hint his perception of inattentive moods.
Once, meeting his eyes, it occurred to me to take him into my
confidence.
"The Italians," I mused, "are famous for their handling of love
matters. They at least bear the reputation of being subtle and secret
in such adventures. They wind into the most tortuous intrigues like a
snake through the intricacies of a forest. Why not tell him my story?
A young man in love with a woman whom he has seen but once, is an
object neither remarkable nor unique. He might aid me by procuring an
introduction, at all events; and if he can do this, he has my full
consent to think what he likes of the business."
It was evening. We were seated at a table in the library, near the
window, which was wide open to admit the still and sultry air. There
was no moon; but the stars, large, full and liquid, lent a pale
radiance to the gloom. I rose, took a cigar from the mantel-piece and
lighted it.
"Let us close these books for to-night," I said. "The air is
oppressive; and those sweet stars seem to chide us for preferring the
inspiration of other things to theirs."
He smiled, drew a meerschaum from his pocket, and began to smoke. I
pushed the table aside that I might seat myself more fully in the
window.
"There is a line in one of Keats's poems--'Hyperion,'" I said.
"I know it," he interrupted. "A noble poem."
"Noble, indeed. There is a line in that poem which I do not think I
ever thoroughly understood until now. I refer to the line in which he
speaks of
--'tall oaks, branch-charmed by the earnest stars.'
Look at those round, moony orbs, tremulous like tears wept by the gods;
the trees yonder seem spell-bound beneath them."
"Truly," he answered.
Public-domain text, read in full here on John Shaqi.
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