The Deceased Wife's Sister, and My Beautiful Neighbour, v. 3Russell, William Clark
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The Deceased Wife's Sister, and My Beautiful Neighbour, v. 3
Russell, William Clark
English fiction -- 19th century
"Surely theirs is a magical repose: a deeper calm than that of sleep.
Oh, I can forgive much to the superstition of astrology. Those planets
deserve to be influences if they are not. The malignant heart would of
course make their shine sinister; but a generous nature must deem those
clear rays benignant. I do. But it is the common effect of Beauty on
me. I warm, I dilate in her presence. She is a glorious spirit."
"Ay, to a man of taste."
"Beauty of course is a spirit interpenetrating all that delights and
elevates. But she is incarnate too, sometimes; falling, I suppose, from
the heavens like that meteor there," I said, pointing to an exhalation
that rushed with yellow tresses streaming through the dark; "and taking
the shape of a woman when she touches the earth."
"But is not innocence a condition of beauty?" he inquired, turning his
dusky gaze upon me.
"It should be."
"Then do not make your spirit take the shape of woman."
I laughed. "What shape would you have her?"
He shrugged his shoulders. "I hardly know," he answered: "unless you
make her a new-born babe."
"I fear you have the scholar's contempt for the _tendre passion_," said
I. "But listen now to a strange story. Do you see those trees yonder?"
"Yes, Sir."
"One night--it was clear with moonlight--I strolled out to breathe
the air. My excursion extended to those fields you can see from your
bedroom window. There I lingered. The village clock struck two. Hardly
had the silvery notes died, when----"
I paused.
"You returned home, Sir?"
"No. But looking, I perceived the Spirit of Beauty walking beneath the
starlight, draped in white, with eyes deep and beautiful, in which the
moon hid itself for love, with a face of marble, passionless as the
feature of the mother of Paphus ere the sculptor's adoration made her
rosy with life."
He showed his gleaming teeth in a smile of which he thought the gloom
would hide the contempt.
"Sir," he said, "you are talking the language of the romancist."
"I am talking the language of truth."
"At two o'clock in the morning," he exclaimed, blowing a white cloud on
the air, "the female shapes one meets abroad are seldom spiritual. How
they may look in the country, and by starlight, I do not know; but by
gaslight their cadaverous complexion is commonly cloaked with paint;
and if their eyes are bright, it is rather with a spirituous than a
spiritual ray."
"Ah, Martelli, you are a cynic--by which I mean, a practical, astute
man, who makes the root and not the flower of fact or fancy his
business. A commendable quality! All the same, I would not part with
my love of illusion. This essential difference of character will make
us get on well together; though, to be plain, before I knew you, my
opinion was that if I hoped to please or be pleased, my comrade must be
a man of sympathies identical with my own."
"A common and generous error," he replied; "but time corrects those
crudities."
Public-domain text, read in full here on John Shaqi.
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