The Definite Object: A Romance of New York — John Shaqi
The Definite Object: A Romance of New YorkFarnol, Jeffery
General
The Definite Object: A Romance of New York
Farnol, Jeffery
New York (N.Y.) -- Fiction
It was past three o'clock and dawn was at hand as, by devious ways,
Spike piloted his companion through that section of New York City which
is known to the initiated as "Hell's Kitchen." By dismal streets they
went, past silent, squalid houses and tall tenements looming grim and
ghostly in the faint light; crossing broad avenues very silent and
deserted at this hour, on and on until, dark and vague and mysterious,
the great river flowed before them only to be lost again as they plunged
into a gloomy court where tall buildings rose on every hand, huge and
very silent, teeming with life--but life just now wrapped in that
profound quietude of sleep which is so much akin to death. Into one of
these tall tenement buildings, its ugliness rendered more ugly by the
network of iron fire-escape ladders that writhed up the face of it,
Spike led the way, first into a dark hallway and thence up many stairs
that echoed to their light-treading feet--on and up, past dimly lit
landings where were doors each of which shut in its own little world, a
world distinct and separate wherein youth and age, good and evil, joy
and misery, lived and moved and had their being; behind these dingy
panels were smiling hope and black despair, blooming health and pallid
sickness, and all those sins and virtues that go to make up the sum
total of humanity.
Something of all this was in Geoffrey Ravenslee's mind as he climbed the
dingy, interminable stair behind Spike, who presently halted to get his
wind and whisper:
"It ain't much further now, Geoff, only another two flights and--" He
stopped suddenly to listen, and from the landing above a sound reached
them, a sound soft but unmistakable--a woman's muffled sobbing.
Slowly, cautiously, they mounted the stair until in the dim light of a
certain landing they beheld a slim figure bowed upon its knees in an
agony of abasement before a scarred and dingy door. Even as they stared,
the slender, girlish figure sobbed again, and, with a sudden, yearning
gesture, lifted a face, pale in the half-light, and kissed that battered
door; thereafter, weeping still, she rose to her feet and turned, but
seeing Spike, stood very still all at once and with hands clasped tight
together.
"Holy Gee!" exclaimed Spike beneath his breath; then, in a hoarse
whisper: "Is that Maggie--Maggie Finlay?"
"Oh--is that you, Arthur?" she whispered back. "Arthur--oh, Arthur, I,
I'm going away, but I couldn't go without coming to--to kiss dear mother
good-by--and now I'm here I daren't knock for fear of--father. I've been
up to your door and knocked, but Hermy's away, I guess. Anyway,
you--you'll say I came to thank her and--kiss her for the last time,
won't you, Arthur?"
"Sure I will--but where ye goin', Maggie?"
"A long way, Arthur! I don't s'pose I shall ever--see this place any
more--or you--so, Arthur, will you--kiss me good-by--just once?"
Public-domain text, read in full here on John Shaqi.
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