The Definite Object: A Romance of New YorkFarnol, Jeffery
General
The Definite Object: A Romance of New York
Farnol, Jeffery
New York (N.Y.) -- Fiction
Spike hesitated, but she, quick and light-treading, came down to him and
caught his hand and would have kissed that, but he snatched it away and,
leaning forward, kissed her tear-stained cheek, and blushed thereafter
despite the dark.
"Good-by, Arthur!" she whispered, "and thank you--and dear Hermy--oh,
good-by!" So saying, she hurried on past Ravenslee, down the dark
stairway, while Spike leaned over the balustrade to whisper:
"Good-by, Maggie--an' good luck, Kid!" At this she paused to look up at
him with great, sad eyes--a long, wistful look, then, speaking no more,
hurried on down the stair--down, down into the shadows, and was gone.
"We used to go to school together, Geoff," the boy explained a little
self-consciously, "she never--kissed me before; she ain't the kissin'
sort. I wonder why she did it to-night? I wonder--"
So saying, Spike turned and led the way on again until they reached the
landing above, across which two doors, dark and unlovely, seemed to
scowl upon each other. One of these Spike proceeded to open with a
latchkey, and so led Ravenslee into the dark void beyond. Spike struck
a match and lighted the gas, and, looking about him, Ravenslee stared.
A little, cramped room, sparsely furnished yet dainty and homelike, for
the small, deal table hid its bare nakedness beneath a dainty cloth; the
two rickety armchairs veiled their faded tapestry under chintz covers,
cunningly contrived and delicately tinted to match the cheap but
soft-toned drugget on the floor and the self-coloured paper on the
walls, where hung two or three inexpensive reproductions of famous
paintings; and in all things there breathed an air of refinement wholly
unexpected in Hell's Kitchen. Wherefore Mr. Ravenslee, observing all
things with his quick glance, felt an ever-growing wonder. But now
Spike, who had been clattering plates and dishes in the kitchen hard
by, thrust his head around the door to say:
"Oh, Geoff--I don't feel like doin' the shut-eye business, d' you? How
about a cup of coffee, an' I daresay I might dig out some eats; what d'
ye say?"
"Is this--your sister?" enquired Mr. Ravenslee, taking up a photograph
from the little sideboard.
"Yep, that's Hermy all right--taken las' year--does her hair different
now. How about some coffee, Geoff?"
"Coffee?" said Mr. Ravenslee, staring at the picture,
"coffee--certainly--er--thanks! She has--light hair, Spike?"
"Gold!" said Spike, and vanished; whereupon Mr. Ravenslee laid the
photograph on the table, and sitting down, fell to viewing it intently.
A wonderful face, low-browed, deep-eyed, full-lipped. Here was none of
smiling prettiness, for these eyes were grave and thoughtful, these
lips, despite their soft, voluptuous curves, were firmly modelled like
the rounded chin below, and, in all the face, despite its vivid youth,
was a vague and wistful sadness.
"Oh, Geoff," called Spike, "d' ye mind having yer coffee à la milko
condenso?"
Public-domain text, read in full here on John Shaqi.
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