And those who played paid great attention to elegance of motion and attitude; and accordingly Demoxenus says:-- A youth I saw was playing ball, Seventeen years of age and tall; From Cos he came, and well I wot The Gods look kindly on that spot. For when he took the ball or threw it, So pleased were all of us to view it, We all cried out; so great his grace, Such frank good humour in his face, That every time he spoke or moved, All felt as if that youth they loved. Sure ne'er before had these eyes seen, Nor ever since, so fair a mien; Had I staid long most sad my plight Had been to lose my wits outright, And even now the recollection Disturbs my senses' calm reflection. Ctesibius also of Chalcis, a philosopher, was no bad player. And there were many of the friends of Antigonus the king who used to take their coats off and play ball with him. Timocrates, too, the Lacedæmonian, wrote a book on playing ball. 27. But the Phæacians in Homer had a dance also unconnected with ball playing; and they danced very cleverly, alternating in figures with one another. That is what is meant by the expression, In frequent interchanges, while others stood by and made a clapping noise with their fore-fingers, which is called ληκεῖν. The poet was acquainted also with the art of dancing so as to keep time with singing. And while Demodocus was singing, youths just entering on manhood were dancing; and in the book which is called the Manufacture of the Arms, a boy played the harp, Danced round and sung in soft well measured tune. And in these passages the allusion is to that which is called the hyporchematic[25:1] style, which flourished in the time of Xenodemus and Pindar. And this kind of dance is an imitation of actions which are explained by words, and is what the elegant Xenophon represents as having taken place, in his Anabasis, at the banquet given by Seuthes the Thracian. He says: