The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 1 (of 3)Athenaeus, of Naucratis
General
The Deipnosophists; or, Banquet of the Learned of Athenæus, Vol. 1 (of 3)
Athenaeus, of Naucratis
Civilization, Greco-Roman; Dinners and dining -- Greece; Greece -- Social life and customs; Homosexuality -- Greece
Again, Epicurus, in his banquet, inquires about indigestion, so as to
draw an omen from the answer: and immediately after that he inquires
about fevers; for why need I speak of the general want of rhythm and
elegance which pervades the whole essay? But Plato, (I say nothing about
his having been harassed by a cough, and about his taking care of
himself with constant gargling of water, and also by inserting a straw,
in order that he might excite his nose so as to sneeze; for his object
was to turn things into ridicule and to disparage them,) Plato, I say,
turns into ridicule the equalized sentences and the antitheses of
Agathon, and introduces Alcibiades, saying that he is in a state of
excitement. But still those men who write in this manner, propose to
expel Homer from their cities. But, says Demochares, "A spear is not
made of a stalk of savory," nor is a good man made so by such discourses
as these; and not only does he disparage Alcibiades, but he also runs
down Charmides, and Euthydemus, and many others of the young men. And
this is the conduct of a man ridiculing the whole city of the Athenians,
the Museum of Greece, which Pindar styled The Bulwark of Greece; and
Thucydides, in his Epigram addressed to Euripides, The Greece of Greece;
and the priest at Delphi termed it, The Hearth and Prytaneum of the
Greeks. And that he spoke falsely of the young men one may perceive from
Plato himself, for he says that Alcibiades, (in the dialogue to which he
has prefixed his name,) when he arrived at man's estate, then first
began to converse with Socrates, when every one else who was devoted to
the pleasures of the body fell off from him. But he says this at the
very beginning of the dialogue. And how he contradicts himself in the
Charmides any one who pleases may see in the dialogue itself. For he
represents Socrates as subject to a most unseemly giddiness, and as
absolutely intoxicated with a passion for Alcibiades, and as becoming
beside himself, and yielding like a kid to the impetuosity of a lion;
and at the same time he says that he disregarded his beauty.
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